: Really? You were cautious about Michael Caine?
Yeah, concerns about Caine's casting were first expressed here, when his involvement in the film was announced almost three years ago.
: The depth of his performance didn't surprise me -- although his undisguised Cockney accent does
: -- I assumed he'd be doing an Oxonian-type accent -- and it still bugs me on some level. I'd like
: to ask him and/or Nolan about that.
That was also addressed on the other film's thread, here:
AP: Batman's butler and an ancient warlock. How do you prepare for two such different roles?Plankton wrote:
Caine: I do a backstory, and the backstory on the butler is, he was a sergeant in the British Special Services. Very tough, got wounded, got put in charge of the sergeant's mess or canteen. Therefore, he knew how to do drinks and serve and do that. He was seen by the father of Bruce Wayne, who said come and be my butler. Sort of butler-bodyguard. So I played him as that, and the voice was the voice of my sergeant when I first joined the British Army. And he looks like he's more active than a butler's ever been. I wanted him to look like a man of action who's a bit too old to do it professionally, but if push came to shove, he could take care of himself.
: They better bring back Zimmer.
And Howard. Don't you dare forget James Newton Howard. Zimmer has a nice pulsing thing going on -- he used the exact same technique for The Da Vinci Code, BTW -- but it is Howard who provides some of the most lyrical moments, in the flashback scenes or in Bruce's scenes with, um, the Katie Holmes character, whatever her name is.
(Side note: I recently saw an article somewhere where Howard discussed his scores, focusing on the half-dozen or so that are his favorites, and he said he was still proud of Snow Falling on Cedars. Yes!! I used to listen to that one quite a bit -- it evokes the mood of that film wonderfully -- and I find that his music for Batman Begins was rather reminiscent of that.)
