It sounds like you guys developed it together. Can you talk about how you came up with Echo, and the concept of the actual Dollhouse, and not just the show?
We did kind of come up with it together, and that's one of the cool things—I'll be one of the producers of the show and it's eventually kind of a story of my life. I've had kind of a crazy life, traveling around the world with my mother at a young age, going on these crazy trips and adventures, and then being in this business. It is the story of who I am, in this business especially, like the objectification of people, and who people want to make other people into, and people clicking a button and thinking they can make something happen.

We have so much control in this day and age with the Internet and television and what we want and our desires and fantasies and thinking we can make them come true. And all of this, I think, just makes this such a smart concept, because it's all infiltrated in there, and it's part me and it's part the world. It's part people's fantasies, people's demons, their high times, their low times, their hilarious times and in between, mixed with—I gotta have some serious action, because that's just, like, I realized that a procedural show isn't right for me. I need to be jumping out of a car or kicking butt or making love.

The "Dollhouse" shift to Friday is certain to provoke a despondent cry from Whedon fans, especially after having watched "Firefly" wither away on the same night.