Overstreet
Jan 10 2008, 08:34 PM
Kyle
Jan 10 2008, 08:50 PM
Mesmorizing and a bit creepy. I wouldn't have it any other way.
Does anyone know what label his new album will be on?
stef
Jan 11 2008, 04:28 PM
At the end of the video it says Mute Records Limited 2008.
As far as Nick goes, I wish he'd lose that mustache. The video is cool but Nick looks like a thin Ron Jeremy.
-s.
Josh Hurst
Jan 13 2008, 09:34 PM
I'm pretty sure it's ANTI- in the US.
Kyle
Jan 13 2008, 11:20 PM
Stupid ANTI-. Not on emusic anymore. This means I'll actually have to go out and buy the darn thing.
Josh Hurst
Feb 28 2008, 10:20 AM
I'm going to have, um, a lot to say about this album. For now: It's not quite like anything else in Nick Cave's canon. And: These are some of the strangest lyrics I think I've ever heard.
Kyle
Mar 6 2008, 09:43 AM
tinymixtapes has posted a review.
Can I just say how excited I am for this record? Ever since watching the deliciously creepy and wonderful "Dig, Lazarus, Dig!", I've had the line "I want you to dig" running intermitently through my head.
stef
Mar 6 2008, 09:02 PM
If Nick comes back to America I will have more credit card debt.
Ben Johnson
Mar 6 2008, 11:24 PM
um... how much do we love him? uh-huh.
Kyle
Mar 8 2008, 04:30 PM
Does anybody have a release date in the US? It's been released in the UK, but neither his site nor Amazon has a US release date.
Josh Hurst
Mar 8 2008, 04:46 PM
The advance that I got says March 28th on it.
stef
Mar 8 2008, 05:09 PM
That is far too soon, I am still in shock over the the spine-tingling
Abattoir Blues/The Lyre of Orpheus.
And I am still "praising Him til I forgotten what I was praising Him for."
Kyle
Mar 8 2008, 05:13 PM
Thanks for the info Josh. I'm looking foward to it already.
At this point, I'm liking the title track of Lazarus as much as I liked the one-two punch of "Get Ready for Love" and "There She Goes My Beautiful World". High praise indeed.
Josh Hurst
Mar 8 2008, 05:16 PM
I'm still mulling over the album and trying to figure out exactly how well I think it holds up, but for now let me say this: If I have a complaint about it, it's that all of these songs are dense with imagery and allusions and wordplay and absurdist storytelling and bawdy humor and everything we've come to expect from Cave-- indeed, it's the wordiest album he's ever written-- but part of me feels like he's using an awful lot of words without actually SAYING anything. And I think the title track is a good example-- yeah, it's a ton of fun, but is there really anything TO it?
Josh Hurst
Apr 13 2008, 06:07 PM
I've had plenty of time to listen to this, to mull it over, to digest it, and I think I've reached a verdict.
In terms of performance, both Cave's vocals and the Seeds themselves... this is the best thing they've ever done.
In terms of production... this is the best thing they've ever done.
In terms of a dizzying, dazzling, wildly entertaining array of words and ideas... this is the best thing they've ever done.
And in terms of songwriting... well, it's in the top two or three, anyway. Only time will tell for sure.
Here's my full review.
Kyle
Apr 14 2008, 08:35 AM
PopMatters agrees with your assessment Josh. They give it a 9/10 and suggest it might be his best album ever.
Overstreet
Sep 30 2008, 11:04 AM
Hugues
Oct 2 2008, 10:13 AM
I haven't listened to all Nick Cave's albums, but I sure did like
From Her to Eternity better than a few of his other records.
And why did AMG forget
Tender Prey in his
discography?
Hugues
Oct 25 2008, 10:22 AM
Well, on the first spin, I'd say the sound of this new record is pretty harmless (save some riffs here and there, on track 8 for example). It may not keep the music of Cave & band from being venomous, but the memorable immediacy of the sound, less hot here than the letters on the album cover may suggest, will stick to stuff like From Her to Eternity.
My fave track so far: "Night of the Lotus Eaters".
Jason Panella
Oct 25 2008, 11:48 AM
I'm systematically listening to Nick Cave's discography from The Birthday Party to Dig Lazarus Dig!, and it's quite a trip. Right now I'm finishing up Your Funeral...My Trial, and I have to say, I really could not get into his really early stuff (Birthday Party through From Her To Eternity). There were some good tracks here and there, but hearing atonal vamping over loose blues structure does not interest me one bit. I feel like the big shift came with Kicking Against the Pricks; sure, the songs on that album are all covers, but they do an awesome job with lots of the tracks. (Like, I prefer their take on "All Tomorrow's Parties" over the VU's. Really.)
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