Is it fair to call Indiana Jones a "Christian hero"?
George Lucas has said a great deal, in word and art, about his affection for Joseph Campbell and the power of myth. But I have a feeling he would flinch at the term.
Still, Raiders of the Lost Ark reflects a reverence for scripture, if not a precise understanding of the purpose and power of the Ark of the Covenant. And Indy's journey in Raiders is a journey into a new respect for the sacred is a relatively admirable journey. He ends up with a new grasp of the reality of God's power and wrath, and it seems that he survives by an act of God's grace.
In The Last Crusade, Jones learns a thing or two about sacrificial love and humility, and he affirms an understanding of Christ: "That's the cup of a carpenter." In reconciling with his father, he takes a necessary step of healing, and God seems intimately involved. Of course, the Arthurian elements and the ancient knight took the series into more cartoonish territory than before. It was a little harder to take Indy's spiritual investigations seriously. And the fact that his interest in one-night stands seems unshaken... well, he's not exactly a role model.
In Temple of Doom, he wrestles with a particularly demonic force, but doesn't seem to know where to reach for help. (Of course, this story is supposed to come before his antics with the Ark.) He gets by more on brute strength and a compassionate drive to save people. The spirit world seemed to be exploited for mere sensationalistic effect than in Raiders.
So... where should we hope that Lucas and Spielberg will take Indy in the new film? Do you expect this film will reinforce the surprisingly affirmation of Christian faith in the first and third films? Or will Lucas try to break that down, affirming something more general -- "the power of faith, but not any particular religion"?
Will he try to draw some parallel between alien visitors and heavenly messengers?
Will Indy be invited to go with the aliens at the end to make new discoveries, but refuse the invitation, making the opposite choice of Roy in Close Encounters and instead "choose family" over adventure? (I gotta say, this seems to me like EXACTLY where Spielberg would choose to take the story, as a grownup's answer to his adolescent conclusion of Close Encounters.)
Sure, the Indy stories are crackerjack adventure tales. But it means something to the young fans and the young-at-heart fans who care about what these stories are saying about power and mystery. It's important to me, anyway, as my eleven-year-old imagination was entralled with the idea of a hero who, while failing over and over again, ultimately stepped aside and let God have the last word. It's still so much more subtantial when it comes to adventure serials than, oh, The Mummy.
