Jim Emerson:
The bizarre choices on the list for me (in addition to several of the ones cited in the third paragraph above) include "Moulin Rouge" (#10), "Pretty Woman" (#37), "Gladiator" (#43), "Rain Man" (#45), "Dirty Dancing" (#65), "All About My Mother" (#69), "Thelma & Louise" (#72)... but I detect my own gender bias in the selection. Some of these were hits, some of them won Oscars, some had star-making performances (Julia Roberts, Patrick Swayze, Brad Pitt)... but, even if you liked 'em at the time, do you feel like watching them anymore? Obviously I don't, but I'd like to hear what you think. #37 made me angry -- spitting mad, hostile -- when I saw a sneak preview of it, then increasingly withdrawn and sullen as I watched the glowing reviews roll in. I thought the film invited us to delight in immorality, and I've not softened all that much on the film over the years. I saw it on cable a couple of years ago and was surprised that I didn't feel the urge to turn it off. Maybe I'll "enjoy" the film someday.
I've never understood #69 or anything else by Almodovar, but I respect many of his fans enough to hold my tongue. I no longer put up a fight when someone writes of how deeply moving they find these dramas about cross-dressers/tranvestites, etc. I DID like much of
Talk to Me, however. So if I had to pick one for this list, that'd be it.
I don't understand how Emerson could question #72. I haven't watched it in several years, but it had a hold on me at the time of its release, and for several years afterward. It may seem a bit dated now -- I'm not sure -- but I have no doubt about its placement here, except to wonder why it's not higher up on the list.