Help - Search - Members - Calendar
Full Version: Marianne Faithfull - Easy Come, Easy Go
Arts and Faith > Art & Media > Music
Josh Hurst


The album:

QUOTE
Easy Come, Easy Go is the third album of Marianne’s to be produced by Hal Willner (the others being Strange Weather and Blazing away). Marianne and Hal have been close friends since they've met, back in 1982, and have worked together on many different projects over the years, (most recently on three songs from Marianne’s acclaimed last album "Before the Poison") but Easy Come, Easy Go is their first complete studio album since Strange Weather, more than 20 years ago. Like that earlier album, Easy Come Easy Go is a collection of songs written by others and interpreted by Marianne. When Strange Weather was released in 1987, it was quickly hailed as one of Marianne’s finest recordings, so this time around the challenge was really high: Marianne and Hal had to make an album that was at least as good. Both artists have risen to the challenge beautifully: they achieve a timeless recording, a masterpiece. All the songs have been chosen by Marianne and Hal, and range from Billie Holiday’s "Solitude" to "The Crane Wife" by current band The Decemberists. Other tracks are "Sing Me Back Home" by Merle Haggard, "Children of Stone" by Espers, the title track " Easy Come, Easy Go Blues" by Bessie Smith, Morrissey’s "Dear God Please Help Me", Dolly Parton’s "Down from Dover " and Black Rebel Motorcycle Club’s "Salvation". Easy Come, Easy Go also includes some interesting guest vocalists; Keith Richards appears on the aforementioned "Sing Me Back Home" Antony Hegarty on "Oo Baby Baby" and Jarvis Cocker on Sondheim’s "Somewhere". Other guest appearances on the album come from Rufus Wainwright who contributes powerful vocals to "Children of stone”' while his aunt and mother Kate and Anna McGarrigle enchant on the "The Flandyke shore". Warren Ellis plays his magic violin on 3 songs, and Nick Cave lends some vocals to "The Crane Wife". Sean Lennon and Teddy Thompson play guitar on a couple of the tracks, and Cat Power harmonizes on "Hold On, Hold On". The album was recorded live in the oldest recording studio in Manhattan the famous Sear Sound. The arrangements are by Cohen Bernstein and Weinberg Goldstein and were done specifically for Marianne. The String and Horn sections were led by L. Picket, and the band includes Marc Ribot, Greg Cohen, Rob Burger, Barry Reynolds and Jim White. Very few takes were needed; in fact some of the songs were done in a single take (London sound engineers in the 60s use to call her Marianne "one take Faithfull"). Infact there are very few overdubs on this recording.


The tracklisting:

Disc 1:

1. "Down from Dover", (originally by Dolly Parton)
2. "Hold On, Hold On", with Cat Power (originally by Neko Case)
3. "Solitude" (originally by Duke Ellington & Eddie DeLange)
4. "The Crane Wife", with Nick Cave (originally by The Decemberists)
5. "Easy Come, Easy Go" (originally by Bessie Smith)
6. "Children of Stone", with Rufus Wainwright (originally by Espers)
7. "How Many Worlds", with Teddy Thompson (originally by Brian Eno)
8. "In Germany Before the War" (originally by Randy Newman)
9. "Ooh Baby Baby", with Antony Hegarty (originally by Smokey Robinson)
10. "Sing Me Back Home", with Keith Richards (originally by Merle Haggard)

Disc 2:

1. "Salvation", with Sean Lennon (originally by Black Rebel Motorcycle Club)
2. "Black Coffee" (originally by Sarah Vaughan)
3. "The Phoenix", with Kate & Anna McGarrigle (originally by Judee Sill)
4. "Dear God Please Help Me" (originally by Morrissey)
5. "Kimbie" (originally by Jackson C. Frank)
6. "Many a Mile to Freedom", with Jenni Muldaur (originally by Traffic)
7. "Somewhere (A Place For Us)", with Jarvis Cocker (originally by Leonard Bernstein and Stephen Sondheim)
8. "Flandyke Shore", with Kate & Anna McGarrigle (traditional, but sung famously by Nic Jones)

The bad news: The album is currently available only in Europe. There is some degree of confusion as to when it will be available stateside-- Faithfull's Web site says it will be early 2009, but Amazon and Wikipedia both list it for December 9th of this year.

But the good news: It is a masterpiece, plain and simple. Stone classic.

More later!
mumbleypeg
I remain a fan of Hal Willner and Marianne Faithfull. I still listen to both Strange Weather and Blazing Away. A few years ago I drove to San Francisco to see her play the Devil in the Black Rider. She was(in my best James Lipton Via Will Farrell...) exquisite!

Somewhere in the Fresh Air archive is a great interview with her. I will be looking forward to this.
Andy Whitman
QUOTE (mumbleypeg @ Nov 16 2008, 06:17 PM) *
I remain a fan of Hal Willner and Marianne Faithfull. I still listen to both Strange Weather and Blazing Away. A few years ago I drove to San Francisco to see her play the Devil in the Black Rider. She was(in my best James Lipton Via Will Farrell...) exquisite!

Somewhere in the Fresh Air archive is a great interview with her. I will be looking forward to this.

I'll look forward to this one as well. What an intriguing collection of songs. I particularly look forward to hearing "Somewhere (There's a Place for Us)," from West Side Story. I hated that song until I heard Tom Waits transform it into a nightmare. My guess is that Faithfull will explore some nightmarish dark alleys as well.

I remember Marianne Faithful from her swinging mid-'60s incarnation as the beautiful girl who was beloved by Mick Jagger and Keith Richards. I didn't pay attention to her again (who did?) until the late '70s and Broken English, when it became clear that this was a woman who had been to hell and back. Maybe Keith Richards does that to you. Or maybe she just did it to herself. But here was a not-so-recovered junkie with a ravaged voice, and what she was doing was harrowing. I've paid attention ever since. Strange Weather and Blazing Away are brilliant, too. She may be the most raw, transparent, and uncomfortably unsettling singer and songwriter of the past thirty years. And that new collection of covers looks stunning.
Josh Hurst
Stunning is the word, Andy.

Regarding "Somewhere," she actually plays it pretty straight as a romantic, wistful little number-- though it's stuck between a bunch of other very hellish songs, so it comes across as a welcome reprieve, not as anything saccharine or schmaltzy. The real treat is the duet vocal, provided by Jarvis Cocker, who, of course, has always sounded like he really wanted to be singing showtunes.

Other highlights are her nasty, snarling take on Neko Case's "Hold On, Hold On," which rocks so much harder and with so much more abandon than the original, you'll be amazed this 62-year-old has so much venom in her tiny body; a devastating, dramatic reading of Dolly Parton's "Down from Dover" that just drips with heartache and sadness and rage; an eight-minute reading of the psych-folk gem "Children of Stone" that feels more like an exorcism than a song; a genuinely disturbing reading of Randy Newman's "In Germany Before the War"; Merle Haggard's "Sing Me Back Home," a rugged country hymn; and... well, gosh, that's just the first disc.
Josh Hurst
Yeesh-- Amazon says this is coming out December 9th, Pitchfork says January 19, and Faithfull's publicist told me this morning it wouldn't be until March. I wish these people could get their story straight!

But of course, it's already out in Europe... so should I be counting this for my Best of 2008 list, or hold it over until next year?
Hugues
What's admirable from Marianne is her choice of contemporary numbers (not to speak of the quality of the whole selection). There aren't many from her generation to keep such a broad-minded sensibility. Here's a woman who truely loves music, and wasn't only from the wave of her time. I think she was already "aside" from the start, more like a witness than an icon (despite being a kind of cult icon as well).

When I watch her singing "As Tears Go By" on YouTube in 1964 or 1965, I already see a woman who loves songs from a mute, static and misty perspective. She just moves her eyes, glancing over the world.

Hugues
By the way: why did they need two CDs for 18 tracks? Didn't they stand on one? Can some covers be that long? headscratch.gif
Hugues
QUOTE (Josh Hurst @ Nov 17 2008, 09:18 PM) *
But of course, it's already out in Europe... so should I be counting this for my Best of 2008 list, or hold it over until next year?


I always count the first release as the official one, wherever it's out. For example, I don't count Nicole Atkins's Neptune City as a 2008 record, though it was only released in Europe this year (but in the US in 2007).

Don't we buy records from the worldwide web now anyway? (not to speak of downloading)

(sorry for the third post in a row!)
Josh Hurst
QUOTE (Hugues @ Nov 18 2008, 05:12 AM) *
By the way: why did they need two CDs for 18 tracks? Didn't they stand on one? Can some covers be that long? headscratch.gif


Three of them are over the 8 minute mark, actually.
Kyle
QUOTE (Josh Hurst @ Nov 17 2008, 12:18 PM) *
Yeesh-- Amazon says this is coming out December 9th, Pitchfork says January 19, and Faithfull's publicist told me this morning it wouldn't be until March. I wish these people could get their story straight!

But of course, it's already out in Europe... so should I be counting this for my Best of 2008 list, or hold it over until next year?


You just create new categories. It can land in the general list for Best of 2008. Then, in 2009, create a seperate list for domestic reissues. Even if it only had one album, the problem is solved.
Josh Hurst
QUOTE (Kyle @ Nov 18 2008, 09:21 AM) *
QUOTE (Josh Hurst @ Nov 17 2008, 12:18 PM) *
Yeesh-- Amazon says this is coming out December 9th, Pitchfork says January 19, and Faithfull's publicist told me this morning it wouldn't be until March. I wish these people could get their story straight!

But of course, it's already out in Europe... so should I be counting this for my Best of 2008 list, or hold it over until next year?


You just create new categories. It can land in the general list for Best of 2008. Then, in 2009, create a seperate list for domestic reissues. Even if it only had one album, the problem is solved.


I think I'll do something like that. The point of the year-end list, after all, is to call attention to the best albums of the year-- so, when we're dealing with an album as good as this one, I'm perfectly fine singing its praises as many times as I can. The more attention it gets, the better.
Kyle
"Oh Baby Baby" with Antony is streaming over at Pitchfork.

Is it just me or is Antony becoming the male Emmylou Harris? The guy lends his vocals everywhere.

EDIT: the link is actually not streaming at Pitchfork. It's a link to her MySpace page where the song is streaming. I would link you directly, but going to MySpace does something funky to my computer and I'm just not willing to go through with that right now.
This is a "lo-fi" version of our main content. To view the full version with more information, formatting and images, please click here.
Invision Power Board © 2001-2009 Invision Power Services, Inc.