MattPage wrote:
: : I wonder whose foot that is, crushing the serpent, and in what context
: : that shot is supposed to take place.
:
: Well I guess its a reference to Gen 3v15, but you knew that anyway.
: What's the problem?
Didn't say there was one -- I'm just wondering how they fit it into the film. It appears to be happening at night -- will we see Jesus crush the serpent's head during his prayer at the Garden of Gethsemane? (In which case, would Jesus appear to be more confident than some of the gospels make him out to be?) (For that matter, would there even be room in our understanding of Passion Week to allow for the possibility that the Devil visited Jesus personally in Gethsemane, given that Luke 22:43 tells us an angel "appeared to him and strengthened him" there?) Or does this serpent-crushing episode happen in a flashback? Or is there a night-time scene after the resurrection, perhaps? Etc.
: Yeh, and don't they reckon it was unlikely he was crucified in the classic
: cruciform position, something that only "Last Temptation" has gone against?
Hadn't heard about that.
: : Wrists have been the standard in Jesus films ever since Campus
: : Crusade's
Jesus film, back in 1979 -- I was a wee lad at the time and I
: : remember there being a LOT of discussion about this shift in our
: : iconography, as it were. I believe
The Last Temptation of Christ went
: : the wrists route in 1988, too. I can't remember, offhand, what more
: : recent films like
The Miracle Maker or the CBS mini-series
Jesus did,
: : but I would think that, if they put the nails in the palms and not the
: : wrists, I would have noticed.
:
: Ooh not noticed that one, but I think CBS was hands as was Life of Brian
: (was that after or before?). Which others were you thinking of?
You mean, what other films have come out since then? Well, there's
Jesus of Montreal (1989),
Mary, Mother of Jesus (1999), the Visual Bible (1994),
The Revolutionary (1999?) and so on, but I must admit I wasn't paying close attention to where they put the nails -- it's possible they stuck them in the palms, but because there hadn't been so much hoopla over their historical accuracy, I might not have cared so much. (Actually, the one thing I DO remember is that, in
The Revolutionary, when the good thief yells "This man is innocent!!", he shakes his arms and you can TELL that they aren't really nailed down.)
: : In addition, Pilate's pronunciation of "Ecce homo" is "more Catholic 14th
: : Century than Roman First Century."
:
: Yeah I did spot that one
What, do ALL you Brits know Latin!?
: There are 3 rules of Jesus films coming out
: 1 - Producer/director claims it will be historically accurate
: 2 - Christians slam it before they even see it
: 3 - There are claims it will be Anti-semitic
: I guess its disappointing that errors have been exposed here already,
: butI don't think we really thought it would be anyway did we. Especially
: as there is no one universally excepted view of the historical events that
: one can compare to as standard.
I guess what I find worthy of caution is the fact that Gibson, rather than make the most historically accurate Jesus film to date, apparently just wants to make the bloodiest Jesus film to date. And that takes us back to the question of whether Gibson has a "pornographic" interest in violence, etc. I can accept blood and gore when it is PART of a film's historical authenticity, but when the film is clearly just a traditional passion play, replete with historical inaccuracies, but with tons of blood thrown in -- well, something about that doesn't seem quite right to me.