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Ron Reed
THE METEOR OF THE SCREEN
by Abaz Hoxha

first published in New Albania Magazine, May 1989

When ANIMAL HOUSE was released in 1978, it was considered the most powerful comedy in American history and the country's greatest film. The movie's success assumed extraordinary proportions, sweeping the continent and the entire world. The lead actor was acclaimed by the press and the public as the best comedian and the most popular actor in the United States. No other actor had ever received such acclaim. At the age of twenty-nine, John Belushi assumed the title of superstar.

Who was John Belushi?

He was born in 1949. His father, Adam Belushi, had emigrated in 1934 from Qytesa of Korca. His mother, Agnes, although born in America, was also of Albanian parentage. The mother of the great actor, who has visited Albania, says of her family, "We are proud of our Albanian heritage, and we remain faithful to our customs."

Leading American newspapers have eulogized John's brilliant acting. The New York Times and many other publications have described him as a "discovery" and his programs as the best, the funniest, the most hilarious. John was called the most humorous. Saturday Night Live was described by the media as a boom show.

Although he has died, his professional career is being continued by his brother Jim, who is carrying the Albanian surname, Belushi, to even greater peaks. Even though he is still young, his talent is maturing and he is enjoying greater popularity playing leading roles in some of the most expensive films now produced.

In the work of these brothers, we can see the continuation of a now recognized tradition of Albanian emigres. Wherever the Albanians have gone, they have distinguished themselves by their artistic spirit and by their honesty, intelligence, dignity, and desire to embrace things progressive and humane. The first generation of Albanian actors such as Tito Skipa, Aleksander Moisiu, and Elena Qirici has been followd by a new generation that includes John (Jovan) Belushi, who occupies a very special place.

As his mother writes to us, "Albania can rightly be proud of this son, because he was sincere, loving, and devoted to his family and his wife, Judith, the woman of his heart since his university years, his first and only love in all his life."

(Reproduced from Harper's Magazine)
Peter T Chattaway
: first published in New Albania Magazine, May 1989

: Although he has died, his professional career is being continued by his brother
: Jim, who is carrying the Albanian surname, Belushi, to even greater peaks. Even
: though he is still young, his talent is maturing and he is enjoying greater popularity
: playing leading roles in some of the most expensive films now produced.

May 1989, eh? Here are the films James Belushi had just made, or was working on, in that era, according to the IMDB:

Masters of Menace (1990) .... Gypsy
Wedding Band (1990) .... Reverend
Mr. Destiny (1990) .... Larry Joseph Burrows/Narrator
Taking Care of Business (1990) .... Jimmy Dworski
... aka Filofax (1990)
Dimenticare Palermo (1990) .... Carmine Bonavia
... aka Oublier Palerme (1990) (France)
... aka Palermo Connection, The (1990)
... aka To Forget Palermo (1990)
Homer & Eddie (1989) .... Homer Lanza
K-9 (1989) .... Dooley
Who's Harry Crumb? (1989) (uncredited) .... Man on bus
Red Heat (1988) .... Det. Sgt. Art Ridzik (Chicago Police Dept.)
Principal, The (1987) .... Rick Latimer
Real Men (1987) .... Nick Pirandello

FWIW, The Principal will forever live in my memory as the first 18-A movie I ever snuck into -- just a week or so before my 17th birthday, I believe. I was with a bunch of my fellow Bible school students on a trip to Saskatoon, and that was what they wanted to see, and I didn't want to lose them, so ... Didn't care for the movie at all. As a fan of To Sir with Love, I can't say I'm impressed by any film in which the bully says "F--- you" to the principal and he replies by yelling "No, F--- YOU!!!" even louder.
stef
Having made two trips into Albania, and having seen even just a tad of the Belushis work, i can honestly say that there have never been two worlds that were more completely separate. If post-Hoxha Albania wants to celebrate the Belushis as theirs, i guess in the spirit of independence i can see what the men represent. However, culturally, the Belushis are/were not a fair representative of the people of that land.

-s.
Buckeye Jones
Hi first post here from a long time lurker. The Belushi's are big in Albania, mainly because they are (were) famous Albanians. Jim has visited a few times after communism, IIRC. They're probably not as big as Mother Teresa, but I may be out on a limb here. My wife and I met while I was doing a summer missions project in Albania, so I asked her about this magazine. 1989 was still communist era in Albania, and she thought it sounded like typical Communist/nationalist propaganda. Trivial tangent: "New Albania" was the name of one of the film studios during the communist era, and the Communists probably would not have shown Animal House (unedited) no matter how many Albanians were in it.
Baal_T'shuvah
The Dean is dead... long live the Dean.
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