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Peter T Chattaway
The whole truth from Vincent Gallo
Vincent Gallo and I have a history. In May 2003, I called his "The Brown Bunny" the worst film in the history of the Cannes Film Festival. Then he put a hex on me to give me colon cancer. Now we're about to meet for the first time. It was a little tense in the Lake Street Screening Room, following the screening recently of the re-edited, shorter version of "The Brown Bunny." . . .
Roger Ebert, Chicago Sun-Times, August 29
Baal_T'shuvah
I watched Ebert's review on the Ebert and Roeper show Sunday night, and was surprised at how genuine his change of heart for this movie was. He still held utter contempt for the original Cannes viewing, but was more than earnest in his praise for the newly edited version. I think this film, and the directors cut of Blade Runner are the only films I've seen him change his mind about, when comparing these versions to their original cuts.

Roeper gave it thumbs down...
stef
For record keeping, Noé sighting:

QUOTE (Ebert on the screening at Cannes)
I refer to the press screening; at the public screening, reaction was more evenly divided between applause and boos, but the press hated the film.

The impression got around that I led the boos, perhaps because the hex on my colon drew untoward attention toward me, but the British trade magazine Screen International, which convenes a panel of critics to score each entry, reported that "The Brown Bunny" got the lowest score in the history of their ratings.

Did I sing "Raindrops Keep Fallin' on my Head" at one point during the screening? To my shame, I did, but softly and briefly, before my wife dug her elbow into my side. By that point the screening was out of control, anyway, with audience members hooting, whistling and honking at the screen.

As it turns out, the French director Gaspar Noe was seated near me.

"He's not a great pal," Gallo said, "but I do know him, and he sort of twerks me on all the time, he loves to wind me up. And he came out of the screening and left like six messages on my voice mail. And he pinned it all on you, because he was sitting close to you and he presented it to me that you were orchestrating ..."


The Ebert article was one of the most fun i think i've ever read. Thanks.

-s.
Peter T Chattaway
Can I admit that I have seen this now? That is, I have seen the shorter, 90-minute version and not the longer, 120-minute version that caused such a riot at Cannes last year, of course. The film is getting its Canadian premiere at the Pacific Cinematheque next week, and they had the press screening this morning.

It's been several years since I saw Buffalo '66, but this new film fits with my memories of that other film -- they do seem to be the product of the same mind, the same artistic sensibility, though this one has a simpler style. I don't have much to say about this film that you probably couldn't pick up from an actual review, but I did get a kick out of the bit in the end credits which says: "Vincent Gallo rides a Honda RS250". Gallo's character is a motorbike racer, see, so he rides his bike often. Seems funny that an independent X-rated flick like this one (yeah, the poster for the film gives it not an NC-17 but an "X", no doubt self-assigned) would get that sort of corporate sponsorship or product placement. (Can you just imagine Honda putting out ads for its bike, saying, "As seen in The Brown Bunny"?)
theoddone33
I recall reading that quite a bit of the funding for the film came from Japan, so I'm not surprised at the advertisement. It may have even been promoted more heavily in Japan than it has been in the US, based on all the things I've heard about the DVD/Soundtrack releases.
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