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Overstreet

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    18,158
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About Overstreet

  • Rank
    Sometimes, there's a man.
  • Birthday 10/09/1970

Contact Methods

  • Website URL
    http://jeffreyoverstreet.com
  • ICQ
    0
  • Twitter
    http://twitter.com/Overstweet

Profile Information

  • Gender
    Male
  • Location
    Shoreline, WA (home) Seattle, WA (work)

Previous Fields

  • Occupation
    Novelist; film reviewer; editor
  • Favorite movies
    http://letterboxd.com/j_overstreet/list/jeffrey-overstreets-favorite-films/
  1. Hoo, boy. I've been wondering how long it would take for this idea to take root somewhere... Variety:
  2. I'm going to assume that Twin Peaks: The Return is not eligible. I understand, and yet this just shows how the increasingly cinematic qualities of some television productions are blurring the lines between the art forms. Nothing I've seen this year stays with me, in the way great art films stay with me, like that series.
  3. The Women's Balcony

    This film is already on its way out of theaters in Seattle, but with a 95% fresh rating on Rotten Tomatoes and a synopsis like this one, it seems like a film this community should consider: Anybody here seen it?
  4. Isle of Dogs

    I love it. I'm guessing it's influenced by The Plague Dogs.
  5. La Fille Inconnue / The Unknown Girl (2016)

    This interview is so good, Darren. Thanks so much. I love what they say about not looking down on their characters from above.
  6. TWIN PEAKS

    I believe it's a wad of chewing gum. "That gum you like is back in style."
  7. Mother! (Darren Aronofsky)

    I'm much more comfortable reading this film as a critique of humankind's distorted, patriarchal religious ideas than as a critique of God Himself. This looks to me like "Okay, people who believe we should glorify God but exploit nature and all things feminine, here is your worldview mirrored back to you." I know that's not necessarily what Aronofsky is saying, but I don't put much stock in what artists say their own work means. There is too much in this film that doesn't make sense if this film is offered as a protest against the God that the artist believes in. It makes more sense to me if the art is challenging us with "Really? This is how you think the cosmos works? This is the god you believe in, and this is how you think it's best to serve him?" It feels more like an indictment of humankind and the way they engage with the god they believe in than a proposition about who God is and how he works.
  8. Mother! (Darren Aronofsky)

    Agreed. My immediate thought was "Oh, okay, so what is about to unfold... it has happened before. The circle of life." That is, of course, where the heart/diamond/thing came from.
  9. The Image Film Issue -- Help with PR

    I'll write about it on my blog and I'll share the podcasts there. I've already promoted the podcast on my Facebook and Twitter accounts. You might write to Tracy in UC at SPU, Greg, and format it as a Fac/Staff Bulletin announcement. If you write it up as a significant publication of an SPU faculty member, you could also mention in the blurb that the issue features Alissa Wilkinson (a grad of SPU's MFA program), Scott Cairns (director of SPU's MFA program), and any other SPU connections you find in there. You might also pitch it to Tracy as something to feature on the SPU home page.
  10. Stalker (1979)

    The Criterion edition is so gorgeous. I gone from admiring the movie to loving it. And as a big Radiohead fan, I'm pretty sure I've discovered the inspiration for the cover art and title of A Moon-Shaped Pool.
  11. Pilgrimage (2017)

    I thought I'd seen a reference to this film here, but I can't find a thread about it. Is anybody tracking this film about monks, which stars Richard "Thorin" Armitage and Tom "Spidey" Holland? Summary: Rotten Tomatoes responses don't exactly inspire enthusiasm here, but it might interest some of you.
  12. Dunkirk

    Sam Van Hallgren makes an observation that I remember thinking about during the movie (but forgot when I wrote my first impressions):
  13. Dunkirk

    I think that's what I admire most about this film. Next to The Thin Red Line, I'd be hard-pressed to think of a war film that felt so... truthful about war. It never succumbs to the cult of masculinity. Hardy's character is the closest thing to a traditional war hero here, but he's all business. I didn't mind the lack of an emotional center because Nolan's emotional centers tend to feel forced (for me, anyway). For kicks: The Dark Knight > The Prestige > Insomnia > Memento > Batman Begins > Dunkirk > Inception > The Dark Knight Rises > Interstellar. I jotted a bunch of first impressions as Letterboxd.
  14. The Shape of Water

    I found that Crimson Peak improves a second time around.
  15. Wonderstruck (2017)

    Note: The first trailer to feature a blurb from Alissa Wilkinstruck. I mean, Alissa Wonderson. I mean...
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