Jump to content

Andrew

Member
  • Content count

    2,535
  • Joined

  • Last visited

About Andrew

  • Rank
    And a good day to you, sir!
  • Birthday 06/12/1968

Contact Methods

  • Website URL
    http://
  • ICQ
    0

Profile Information

  • Gender
    Male
  • Location
    Eastern Tennessee

Previous Fields

  • Occupation
    psychiatrist

Recent Profile Visitors

2,962 profile views
  1. Andrew

    Ready Player One

    I think your second paragraph hits the nail on the head, Nathanael. I suspect this accounts for much of the film's lack of passion. It makes me wonder how much of a role in writing the screenplay Cline really had, since his book oozed sincere love for 80s popular culture.
  2. Andrew

    Ready Player One

    Yeah, I'm one of the detractors (and I loved the novel): http://www.patheos.com/blogs/secularcinephile/2018/04/i-wasnt-ready-for-the-disappointment-of-spielbergs-player-one/#
  3. Andrew

    Star Wars: Han Solo origin story spin-off

    Ugh, this may be the first Star Wars movie that I pass on seeing. At the risk of sounding like a grumpy old curmudgeon, this looks like the predictable outcome of turning films that were special triennial events into yearly commodities. I shouldn't be surprised, since the folks that crap out The Hunchback of Notre Dame 3 are now in charge.
  4. Andrew

    Phantom Thread

    I really loved it as well. A few bits of dialogue rang false, and I thought the 4th act dragged a little, but otherwise all the pieces clicked wonderfully. The Jonny Greenwood score is gorgeous, probably the best thing I've heard at the movies in 12 months. And the dark humor, especially in the second half, was delectable. I'm glad that Day-Lewis and Manville got their Oscar noms, but Krieps deserved one as well.
  5. Andrew

    First Reformed

    Very cool (but don't forget Ozu!). This is the one film I regret not seeing in Toronto last year.
  6. Andrew

    Favorite films of 2017

    Ooh, great idea, Brian! I thought this was a significantly above average year at the movies; thus my longer than usual "Best of" and "Honorable Mention" lists. Here are my top 13: 1. I Am Not Your Negro 2. Makala 3. BPM 4. mother! 5. The Shape of Water 6. Call Me by Your Name 7. Silence 8. Wonderstruck 9. Last Men in Aleppo 10. Cries from Syria 11. One of Us 12. Get Out 13. Faces Places
  7. Andrew

    A better film about...

    Darkest Hour is still in my screener pile (I'll view it in the coming week if it gets any noms in the NCFCA), but I expect I would agree with you, as I was immensely disappointed with Dunkirk.
  8. Andrew

    The Shape of Water

    Nice review, Evan. Despite writing from two different perspectives (and I liked your exploration of the Ruth and Samson parallels), we found much of the same things to love about this film: http://www.patheos.com/blogs/secularcinephile/2017/12/loving-shape-water/
  9. Andrew

    Oscars 2018: Best Foreign Language Film

    I thought BPM (memorable, affecting activist romance) > The Square (bizarre, quite entertaining) > In the Fade (interesting but ultimately slight). Other glaring oversights are Makala (will probably be second on my Best of 2017 list), Faces Places, and Thelma.
  10. Andrew

    Call Me by Your Name (Luca Guadagnino 2017)

    I watched my "For Your Consideration" screener of this yesterday and thought it was excellent, 4 verging on 4.5 out of 5 stars in my rating system. I had shied away from this after finding A Bigger Splash tedious, and it's subject matter (17 year old falls for young adult assistant to his professor father) seemed dicey. But it's handled maturely, and all three of the leads (Chalamet, Hammer, Stuhlbarg) are superb. Chalamet definitely steals the show, capturing the insecurities of adolescence with a level of authenticity and vulnerability rarely seen. Surprisingly, the film also has perhaps the best parent-child moment I've seen all year, one that grabbed me with its wisdom and pathos. And I loved the way it mingled images of sculpture from antiquity with the main story, illustrating the imprint on the mind of evanescent youthful beauty. And the northern Italian setting is as gorgeous as one would expect.
  11. Andrew

    Three Billboards outside Ebbing, Missouri

    The more I think about the points made here by Evan and Peter, the more I wish I'd been more nuanced in my review. Sigh. Some good points, y'all. This film still doesn't click for me the way In Bruges did, though. Rockwell's character seems improbably dim, like an even more exaggerated numbnut from a Coen Brothers movie. The music (outside of Burwell's score) felt distracting, rather than complementary, too. It did have a nice cameo for Flannery O'Connor, however.
  12. Andrew

    Three Billboards outside Ebbing, Missouri

    MORE SPOILERS Your points are well-taken, Evan. It may only be a mini-redemption; the chief's letter to him prompts him towards greater diligence, as he saves the file from the fire. But it's true, that going on a vigilante streak is not exactly redemptive. On a semi-unrelated note, did Mildred say that her ex was also an ex-cop? I thought she said something to the effect of "ex-cop, and ex-wife beater," but it went by too quickly for me to be sure, and the guy next to me at the theater let out a hacking cough at the same time...
  13. Andrew

    Three Billboards outside Ebbing, Missouri

    SPOILERS AHEAD I think it's a stretch for Scott Renshaw to say the Ebbing police haven't actually done anything wrong. We only have the words on the chief's suicide note to assure us that a thorough investigation was done. This is the same chief who says that Sam Rockwell's character is basically a good guy; never mind that before the movie started, his character had tortured a black suspect. During the movie, we hear him casually make homophobic slurs and later toss an innocent man out a window after beating the shit out of him. So I have to question, how valid is the chief's judgment on the investigation? With events nationwide showing widespread corruption, ineptitude, and unwarranted violence in police departments - quite notably in St Louis and Ferguson, Missouri - I'm going to say that Mildred's frustration is more likely than not justified. (By coincidence, I watched the documentary Whose Streets? the night after seeing Three Billboards. This is the documentary about events in Ferguson, Missouri following the shooting of Mike Brown - an unarmed black man - by Officer Darren Wilson. In it, we see footage of an interview with Darren Wilson, who presents himself as an ordinary family man, not unlike Chief Willoughby. I wonder if McDonagh was thinking about Ferguson, in setting his film in Missouri.) I certainly think McDormand's character goes off her rocker, and that Three Billboards is in large measure a social/moral commentary on revenge fantasies. Gandhi's statement, that an eye for an eye makes the whole world blind, comes to mind. Nonetheless, there are very few pairs of clean hands in this films. The dentist, an offended upstanding citizen of Ebbing, was prepared to drill into Mildred's mouth sans anesthesia. The priest had the gall to go into Mildred's home and attempt to shame her in front of her son, implying that a lot of her problems arose from failing to go to church. He was totally due for an equally public ass-chewing by Mildred.
  14. Andrew

    Wonderstruck (2017)

    Haynes and Selznick are terrific together here. This'll definitely be making my Best of 2017 list: http://www.patheos.com/blogs/secularcinephile/2017/11/yes-wonderstruck-todd-haynes-newest-film/
  15. Andrew

    Harold and Maude

    I'm not an expert on the film by any means, but I've watched it a few times and ranks as a favorite. So I'll give my response to a few of your questions: - I think Ashby handles the revelation of Maude as a Holocaust survivor just right, letting us know subtly that this experience has without doubt profoundly affected Maude's 'embrace the moment,' life-affiriming ethos. I have deep respect for directors who don't belabor key story points, trusting audiences enough to connect the dots. - I think her experience as a Holocaust survivor helps answer your last question: she's had the power of life and death removed from her once before, she's gonna go out on her own terms. (As a doc who's seen many patients linger agonizingly in cold ICUs because their families can't let go of them, I have profound respect for her choice here.) - And I've always presumed that H & M did the deed; I don't see any reason to assume they didn't, and the 'afterwards' scene is set up in the style of a Hollywood post-coital scene.
×