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Buckeye Jones

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Everything posted by Buckeye Jones

  1. Uh-oh, another website redesign.

    I suspect this is related to the website being down a day or two.
  2. Star Wars: Episode IX

    Abrams. Well, get ready for Death Star 4.0. Kennedy: “With The Force Awakens, J.J. delivered everything we could have possibly hoped for*, and I am so excited that he is coming back to close out this trilogy." * Buckeye Jones: "Except new stuff."
  3. The Killing of a Sacred Deer

    I have no idea about the film but that's some awesome Cincinnati goodness in that trailer.
  4. Star Trek: the first ten movies (1979-2002)

    Well, it was fun to see this on the big screen again, though I'm not very impressed with Fathom Events. The screening kicks off with a fawning interview of Shatner. There's a great moment though. Shatner tells a story about being on a tight filming schedule due to his TJ Hooker obligations (which I dutifully watched as a kid who's dad was a huge Star Trek fan even though all my friends were watching Dukes of Hazzard, which aired at the same time). Apparently, he was back to back with filming scheduled to end on one day for Trek, and Hooker picking up the very next day. That final morning, there was a fire on set on Trek, and Shatner, oblivious to the danger, was so worried about missing the start of Hooker's schedule he rushed in to put out the fire with a garden hose before the firemen arrived. They did, the set was saved, and all was well. The interviewer, who's name I don't recall, corrects Shatner. "One small correction, Bill...that happened on Star Trek III, not Star Trek II." Shatner: "It did?" Interviewer: "Yes. You were still filming TJ Hooker, in 1984, but its a great story." Shatner: "They all run together anyway." Interviewer: "Do you have any favorite stories from filming Star Trek II?" After which, Shatner moves on to other matters. Other notes--the director's cut was what was shown, and the transfer seemed funky. Peter's link above shows many issues that were present, but other areas of concern were the sound quality and picture quality. Often dialogue would jump in quality within the cuts of a scene. Sometimes it would sound as if improperly mixed ADR happened for a line reading or two--almost like when cuss words got dubbed out on a TV broadcast, though of course, in this case it was as if someone just had no other take than the one recorded in ADR but not mixed into the scene's overall sound. With regards to the picture quality, frequently the focus seemed off, especially in well lit medium shots. This is still the best Trek movie, and its powerful story is realized in a moving and impressive way. Glad to see it on the big screen once again.
  5. Star Trek: the first ten movies (1979-2002)

    So, I'm getting a chance to let my kids see Star Trek II on the big screen. For the 35th anniversary of The Wrath of Khan's release, the film's being screened for a couple of nights (link below). It's the director's cut version, so, not quite what I took in in 82, but it will be fun to have them see it in widescreen glory. https://www.fathomevents.com/events/star-trek-ii
  6. Samson

    Indeed, you are correct! The theme of miracle babies has confused me!
  7. Samson

    Samuel was the miracle baby. Same first three letters, and its OT, so I feel you, Peter.
  8. Star Wars: Episode IX

    Disney is clearing a path to hire George Lucas.
  9. A better film about...

    That giphy is from Conan the DESTROYER. There came at ya.
  10. A better film about...

    Highlander is a better version of The Age of Adaline.
  11. The Age of Adaline

    This has been playing on Prime Video for awhile now, and I just got to it. I wasn't very impressed. I didn't know much other than what was in the trailer, which was that she was immortal-lite and was at one time in love with Harrison Ford. Of course, knowing that, spoilers abound. Abounding spoilers: Of course, knowing that, then as soon as she let herself get a little close to the rich dude, Ellis, who uncannily looks like the only other famous movie Ellis--you know who I mean, or my respect for your cinemaphile credentials is now sub-zero--anyway, Ellis, of course would turn out to be Harrison Ford's kid. Ick. Of course, the movie touched on this a little bit, but not with any real insight other than his character's wife of forty years is upset that Ford, an astronomer named William, is now reminiscing about an old flame he's never talked about who turns out to be the supposed mother of son Ellis's girlfriend. To be fair, I think for the most part, Ford acquits himself well with the role, but the script is such a hamfisted letdown that had me rolling my eyes from the luminescent hanger ceiling to the quick toss of the keys from father to son: "Do you love her, son?" "Yep, dad, sure do!" "Cool, I do too! She's the one that got away, but maybe the family can reel her in this time!" Tosses keys. Cue electricae ex machina. The Ellis character and the relationship between William and Ellis and Adaline ruined this story for me (the pretentious voiceover didn't help much either). I just never bought Ellis as a character. He was flawless--young, rich, erudite, honorable, kind, passionate about first edition books and old boats. He drove an old Saab for goodness sake. So the narrative that this too-perfect pretty rich guy turns out to be the only son of the one guy after Adaline's original husband that she fell in love with and caused her to desist dating at all is too much, it's too contrived. It's also icky! Not to get all puritanical or whatever, but the dad's cheering on the son for getting together with the girl that got away--its too much to just take straight. Maybe if you want to get all kind of Sophocles about it, you can bring some real pathos and wrenching drama to it, but nope, Dad's cool! At least he gets his comet in the end. Why have this be the relationship if you don't want to do something interesting with it? But nope, Dad's nice--he loves his wife, and gets to give her a good speech. Adaline's cool--she's really in love with William 2.0 (he does have a nice non-flawed life), and Ellis is cool (he even gets the girl when she begins to age again thanks to the contrivance). Argggh. There's a couple of nice scenes--I like Adaline going through album after album of her cocker spaniels. I'd think she'd get a little jaded after 30 of them, but what do I know, I'm a cat person.
  12. Blade Runner 2

    These advertisements make this seem such a straight-laced, obvious story (evil genius makes army of robots to "save" humanity, only to be stopped by anti-hero cop and vintage model Harrison Ford). It can't be this obvious and on the nose, can it? It's too plain.
  13. Review Haiku

    I see that the Top 100 blurbs are down to the final ten. I wrote four. While it was a lot of fun, it was also a lot of work. I bet Greg & co. would have made a lot quicker progress if they'd just asked for haiku blurbs. For example, the blurb for M was really hard to write. But this haiku took thirty seconds. M 1931, Fritz Lang Violent men search Pedophile Pete Lorre Whose big speech fails him. So, now its your turn. Post your haiku reviews here. Whatever film you want. Heck, even Sunshine. Three lines. Seventeen syllables. Let 'em rip.
  14. Zodiac

    Streaming on Netflix. Caught it last night. Couldn't sleep afterwards.
  15. I Am Not Your Negro

    Just caught this last night. It's streaming on Amazon Prime. If you haven't seen this, I can't recommend it highly enough. I'm in the marketing industry, and I'm sure I've had conversations showing clients/brands the buying power of the African-American market, and when that old footage pitching the market growth of the Negro consumer popped up it really hit home. I think the Baldwin of this film would argue that we're all commodities and profit centers for somebody but making the tie back to the slave auction advertisement was a powerful bit of editing to illustrate that specific commodification of the black man and woman.
  16. U2 - Songs of Innocence

    While this thread is probably not the best place for this, I wanted to note that I saw U2 live for the first time ever over the weekend at their Chicago stop for the Joshua Tree 2017 tour. Wow, what a show! I suppose they could be criticizing for returning to the Joshua Tree well, but the show felt very fresh and relevant and not at all like a greatest hits tour. I'm glad I finally got off my butt to go see a show. I'm half tempted to pick up tickets for the Louisville show in a couple of weeks and drag the kids along.
  17. alien: the director's cut!

    In O'Bannon's earlier drafts, the eggs and the space jockey were in separation locales on the deserted planet. The ship was sending out the beacon, with the space jockey, but the eggs were in a temple filled with Alien hieroglyphics that represented the life cycle of the creature. The implication is that the Nostromo chanced upon the same planet housing a malevolent species that the space jockey did eons earlier, and both met the same fate. The creatures were unconnected to either the space jockey or the Nostromo. Of course, in that draft, no Ripley, no android, no evil corporation. Just a beastie.
  18. alien: the director's cut!

    Haven't seen Prometheus or A:C. Not sure if I will. For those that have, how close is Ridley's fifteen year old vision/speculation to the execution in his more recent prequels?
  19. Alien: Covenant (Was Alien: Paradise Lost / Prometheus 2)

    In the original Alien, the xenomorph grew super rapidly as well--its a plot point, right? They hunt for it with a cattle prod and a net, expecting to find something chestburster size. But then they encounter the shed skin and a seven foot tall xenomorph. I was curious and read what I could find online as the final shooting script, which also includes a scene where the creature raids the larder (scene 142, or page 20 at the link) and its growth is further explained when they question the head of Ash (oxygen rich environment). So its still fast but explained a little.
  20. Pray the Devil Back to Hell

    In my church yesterday, I was chatting with one of our long-term members, Diana T., who came to the US in the early 2000's as a refugee, a war widow, and a single mother. We've known Diana for almost 12 years but until yesterday, I didn't know that on her own she's bought land in Liberia, and is in the process of raising money ($35,000) to build an orphanage for war orphans, and for the orphaned children after the war due to the war's devastating legacy. I found her willingness to sacrifice (essentially she's working two jobs to provide for her kids and to build an orphanage) so moving that I feel compelled to help her, and figure out if I can mobilize my church and community to help. I'm sorry I missed this film when it released almost 10 years ago, and am going to track it down. I hope that it gives me more insight in Diana's story and is a way to connect others to her passion.
  21. 2016 Reading Journals

    That's awesome jackfinn--should I just click the link for the virus or do you need me to download something?
  22. The Dark Tower

    I can't remember anything about this book series except that some character had an African-American girlfriend (and even that I'm unsure of). I don't remember a kid at all. Is this looking anything like the book?
  23. Star Wars: Rogue One

    Especially when he's like, "Jen! Jen! I haven't seen you since I abandoned you on that stupid planet with Idi Amin! But I'm so confident that you'll be the recipient of this message that I'm going to address most of it to you! And I'm reallygoingtospeedupattheendbecauseyourplanetisbeingdestroyed!"
  24. Star Wars: Rogue One

    Also, that honest trailer takedown is right on the money.
  25. Star Wars: Rogue One

    We re-watched this again this past weekend. I don't know that I've had a movie fall as far in my estimation from one viewing to the next. I don't think I was all that hot on it to begin with, but wow, this thing was a huge mess. Characters, plotting, story--yeesh. There were some cool visuals of the Death Star floating around doomed planets. This was a bad movie. The new droid was cool, I guess. But stuff I liked at the first viewing (the two semi-Jedis) were just lame this time. How does a blind kung fu guy take out entire squadrons of storm troopers anyway? Why are there more powerful ships here than there were in the next movie (in the timeline)? Why was Princess Leia's ship hanging out in the battle anyway? Why can you send a space station the size of a small moon through hyperspace but you have to use a big radio dish to send a data file that fits on a thumb drive? Why would the Empire blow up its own data warehouse? For a battle they were about to win anyway? Won't they need some of those other records? Did Captain Antilles take Jimmy Smits back to Alderaan, then come back to Yavin 4, and then hide his ship on some random guy's other ship for the battle? Won't AT-ATs sink in the sand? What do you think that switch Donnie Yen had to throw was originally for? (I think it originally turned off the shield generator, or some tractor beam). Why did Lucasfilm hire actors who's primary purpose was to speak unintelligibly? Seriously, how many indecipherable accents were needed for this cast? Wouldn't the Death Star blowing up a city basically create such a cloud of dust that that planet would have an extinction level event? It's like Star Wars meets Armageddon. Why do CGI people look so fake? Anyway, meh. This is a marketing win for Disney but not a product win. Yay, suits!
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