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SDG

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About SDG

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    Catholic deflector shield

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    http://decentfilms.com
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    Of Gods and Men (2010)

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  1. Okay I guess I’ve got to sign up for four more: Of Gods and Men (2010) The Miracle Maker (2000) Into Great Silence (2005) The Flowers of St. Francis (1950)
  2. If no one else has claimed them, I’ll do Witness, Spirited Away, and The Song of Bernadette.
  3. Oh my gosh, ANOTHER ambiguous tie thing
  4. We’re doing a runoff poll for the two-film director films, right?
  5. I’m glad that there’s openness to revisiting the question. I’m concerned about the “leaning toward ‘no’” part. My top 25 picks for this list certainly include such perennial honorees as The Passion of Joan of Arc, Diary of a Country Priest, and The Miracle Maker. Of course, a lot of other A&Fers feel the same way about those films. The more of us pick the same films, the more “votes” will be wasted. It’s possible that I could put together a list of 25 films and find that most or even all of my picks were wasted, while films I would have wanted to include were left out. To make my vote count, then, I should try to pick films I think might be overlooked. But if everyone does this, the obvious picks might fall between the cracks. Uncertainty about the final procedure leaves me up in the air about how to vote. I’m perfectly willing to vote my true picks, but if there’s no subsequent nomination process, I will resent every film I picked knowing or expecting that many or even most other voters would pick it too.
  6. Will the nominations thread include nominees other than the superset of the all top 25 lists?
  7. SDG

    Castle in the Sky

    All these years later, I want to say: I just reread Lloyd Alexander’s The Castle of Llyr to my two youngest kids, and it still frosts me that my brilliant list of parallels between The Castle of Llyr and Laputa: Castle in the Sky was swallowed in a site redesign between 2003 (when the board was promontoryarts.com) and 2006.
  8. SDG

    Emanuel (2019)

    Interesting, Ken. I had a much more positive response to the film, which I thought did a decent job of establishing its priors and offering sufficient perspective for the target audience, or at least for the portion of the target audience I’m most in tune with, i.e., reasonably open-minded white American Christians who either know there’s a lot about the black American experience they don’t know or are at least open to that insight. But it doesn’t surprise me that you had a different take. On topics relating to deadly violence and ways of reacting to, depicting, or framing it, your perspective is obviously different from mine, and in one way more authoritative. I don’t know, but it’s possible my experience of the film might be more common. My review.
  9. I’m sorry to see that no one has seconded my nomination for this remarkable film. De Oliveira was 92 years old when he made it, and knew a thing or two about aging. (He continued directing films until 2013, at the age of 104, and died in 2015 at 106.) I guess very few people besides me have seen it, which means it would have little chance even if I got a second. For what it’s worth, it’s streaming on Amazon, but unfortunately you need a Fandor subscription (or a free 7-day trial).
  10. Title: I’m Going Home Director: Manoel de Oliveira Year: 2001 Language: French/English IMDB Link: https://www.imdb.com/title/tt0283422/ YouTube Link: I can’t find a YouTube link. There’s video from the film in this video essay by Richard Brody: https://video.newyorker.com/watch/im-going-home
  11. I wasn’t a fan, but I will say a word for it more than this: It didn’t make me want to close my eyes, especially when Rami Malek was onstage.
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