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Joel Mayward

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Everything posted by Joel Mayward

  1. Was there any indication that the edit you saw at TIFF differed from the film shown at Cannes, especially following its acquisition by Netflix?
  2. A report from Allocine via One Big Soul: Mark Rylance will play Satan in The Last Planet, with Géza Röhrig as Jesus and Matthias Schoenaerts as the apostle Peter:
  3. Here's Melissa Tamminga with an excellent long-form essay on the conservatism inherent within the film. I am admittedly not a Tarantino fan, but I went into Once Upon a Time with hopeful expectations...which were almost entirely dashed. I had (accurately) guessed the outcome of the narrative as part of Tarantino's revisionist history project before the first trailer ever dropped. So when Brandy the pit bull was introduced, it confirmed my suspicions, and found the expected bloodbath 2+ hours later to be anticlimactic, unoriginal, and deplorable in its worship of violence. And everything in between was...well, Melissa says it far better than I ever could.
  4. Unless someone else wants to take on the task, I'm quite happy to coordinate the EJ again this year, if everyone is cool with that. I believe Transpositions would be willing to host and publish the list again, but if it's possible to post it directly to ArtsandFaith.com, like the "Growing Older" list, that'd probably be better for site traffic and longevity of the lists. We can also republish this last year's EJ list on ArtsandFaith.com at some point in the future as well. However, it might be more work for administrators--specifically Ken--to post such lists here, so if that's the case, Transpositions is an available option, if that worked for everyone.
  5. Joel Mayward

    Them That Follow

    I only recently learned how to rename a topic title as moderator/admin. It's not intuitive, as it doesn't appear in the panel options. I'll message you how to do it.
  6. Thanks for beginning the formal conversation about a Top 100 list, Ken. I'd be happy to lead or co-lead the organizing of the list. Coordinating the Ecumenical Jury for the past few years has been a pleasure, and I'd be glad to participate in the 2020 Top 100 list in a substantial administrative way. I'm curious about the timeline--when would we envision a list like this being published online? And is the Top 100 book project still a go? Speaking of the Ecumenical Jury--are we still up for doing that at the end of this year as well? That's probably another topic for a new thread, but this conversation reminded me about it.
  7. I am definitely in for the book, and would also be open to writing a second essay on the two Varda films as a way of examining Varda's life/filmography as a key part of the "Growing Older" theme. Besides maybe Godard or Wiseman, I can't think of a filmmaker like Varda who has made her own version of Apted's "Up" series with her own experience of aging as depicted on screen. Her essay/doc films seem to encompass the very essence of the "Growing Older" list, and I'm looking forward to seeing Varda by Agnes next week at a local cinema to see if she has any wisdom on aging for us in her final film.
  8. We have a trailer for Martin Scorsese's upcoming Netflix film, The Irishman: What surprises me about this is that I'm genuinely eager to see a Netflix production which seems to intentionally highlight its CGI de-aging effects.
  9. Joel Mayward

    Late Spring

    Ozu remains a mystery to me in some ways; I find that I appreciate his films more than I enjoy them, and even that appreciation is usually muted. But I keep going back to Ozu to see what I may be missing, and Late Spring did affect me. Ken, you mentioned preferring Tokyo Story to this film, and I had the opposite response--despite their similar themes and the obvious Ozu aesthetic, TS just didn't resonate with me, but LS definitely did. The advice about happiness being created, not something that just happens from waiting around--that simple-yet-profound wisdom is something that only comes from and can be appreciated by a certain age or maturity. You have to be on the far side of that happiness creation--or have experienced the loss of it--in order to make such an observation, at least with the strength of experience behind it. I appreciate what Andrew said above, that the film prompts reflection about one's own family history. For me, it also prompted reflection about the numerous families I've counseled as a pastor, the youth and young adults who needed to grow up, as well as their parents (who often needed to do more "growing up" than their children!). For all of its distinctly Japanese cultural dynamics--and critique of American cultural influences--there's something universal about its theme of how families change and grow over time.
  10. The first half of this film is boring, boilerplate MCU CGI-saturated punchfest. The second half is a wonderful deconstruction that first half. Also, while I am tired of these MCU Spider-Man films being more about Tony Stark worship than about Spider-Man, they have something interesting to say about class systems between billionaires and the people they employ/exploit.
  11. This is really encouraging to read, and quite the endorsement. How does it compare to Falling Upward, a Rohr book you mentioned in our "Growing Older" thread as being significant for you?
  12. Final decision: just discovered that Amazing Grace is playing at a local theater at the perfect time slot. Sorry mediocre summer blockbusters, this seminary class is going to go see Aretha.
  13. I'll share the CFP as well and we'll see who sends in proposals. I'm happy to write an introduction as well as an essay (or two!) for a film (I wrote blurbs on Before Midnight and Another Year for the list). Thanks for putting this together, Ken!
  14. Thanks for sharing, and I'm so with you on this. Living in the UK and exploring theological aesthetics from a non-US and non-Reformed perspective has been wonderfully liberating regarding the relationship between Christianity and the arts. So often the language of "dialogue" is used regarding Christianity and the arts, but then the scholar or critic ends up using utilitarian methodologies which simply turn art into illustrations for a particular theological perspective. Art isn't allowed to actually speak in the so-called dialogue, and if it is, theology still has both the first and last word in the conversation. I'm more interested in a genuinely dynamic egalitarian conversational approach to Christianity and the arts, what Michael Oakeshott describes as an "unrehearsed intellectual adventure."
  15. I'm now leaning towards Godzilla: King of the Monsters for my purposes. It's also an ongoing franchise--much more history than MIB--and this new film has sparked enough critics saying it's a "religious" film to merit consideration. And I kinda loved it. But I don't want to derail this MIB thread with Godzilla praise.
  16. I am planning on bringing a seminary class to a movie theater to discuss the experience of the "liturgy of movies" (i.e. how going to the cinema is akin to a religious ritual) and wanted to pick a new release blockbuster or popular film. This was my first pick based on what was releasing this month...but after the really poor reviews I'm starting to reconsider. I think there might be merit in bringing a class to discuss how a film *doesn't* work or what makes for a truly "bad" film, but I'm also not sure I want to waste our class time on dreck. Any ideas on films I should consider? Or is MIB:Intl worth discussing?
  17. One thing I'm very curious about for this project is the casting: is Jesus actually in this film, and if so, who portrays him?
  18. A post-Cannes update: The English title is Young Ahmed, the Dardennes won Best Director at Cannes (a bit of a surprise upset for most of the film critics), and I was able to ask a question to the Dardennes in the Cannes press conference, which you can view here (my question begins at 20:30): Here's my review of the film: https://cinemayward.com/review/young-ahmed/
  19. I haven't seen the film yet, but Matt Zoller Seitz's comments on Twitter, especially his reference to this being like a "religious" film, really piqued my interest. With so many negative reviews, I'd wondered if that had pulled a Prometheus (fantastic trailer, not-so-fantastic albeit ambitious film).
  20. That sounds frustrating, Ken, and I wish I knew how to help. Are all the devices somehow synced? I initially wondered if there's something about your Apple ID, but you also mentioned a Windows computer that wasn't working, so I'm not sure. But if it's only happening at home and not at work, maybe it's a network or WiFi router issue.
  21. Popping by A&F to say that I'm publishing reviews from Cannes at both Fuller Studio and Cinemayward for those who are interested. Here's my review. It was striking, both visually and thematically. The word "haunting" gets used a lot in film criticism, but it feels so appropriate for this film.
  22. I mentioned the rat briefly in my review, but the more I think about it, the more I believe this rodent to be the True Hero of Endgame. Mouse Ex Machina. Oh, all sorts of violations occur with the time travel in this film. It's still unclear to me as to Loki's fate after he escapes with the Tesseract due to the botched time heist--even if their plan to go back to the 1970s and fix that mistake works, and they put back the Infinity Stones on that military base, I could see the writers finding a way to bring Loki back due to this thread. But regarding Steve, if he stays in the past to marry Peggy, does that mean *any* of the events of Avengers, Winter Soldier, Civil War, Age of Ultron, etc. ever occur? Or do they still occur with the frozen Steve (let's call him SteveB) while SteveA (that's the time-traveling Steve of Endgame) lives his life off the grid (albeit in the suburbs somewhere)--does he simply allow all the terrible things to happen with this prescient knowledge? And wouldn't this completely mess up the timeline's of the TV series Marvel's Agents of SHIELD and Marvel's Agent Carter? But I've already thought about this too much. Remember, the Russo-authorized "spoiler ban" lifts on Monday, which is today for me, as I'm presently in the UK and therefore living in your future. Because, time travel. Edit: For whatever reason, Endgame has prompted some of my snarkiest A&F posts in recent history. I blame Tony Stark.
  23. Wouldn't there not be another version of himself there to be killed, because he was trapped in the ice all that time? Also, this reminds me why Shane Carruth's Primer is so good.
  24. Thanks for doing this! It's great to peruse the huge list of films here, and to note which films have been included, and how often. Some random observations: Seeing that The Straight Story was also #1 the Road Movies list, I don't know that I would have called it *the* favorite film of A&F, but perhaps it is, as it's on seven lists. Tokyo Story and Wild Strawberries have also appeared on seven, but not as #1. And The Remains of the Day is coincidentally #24 on both the Memory and Growing Older lists.
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