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About Rushmore

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    Of all men feared
  • Birthday 02/14/1991

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    The whole argument from significant form stands or falls by volume. If you allow Cézanne to represent a third dimension on his two-dimensional canvas, you must allow Landseer his gleam of loyalty in the spaniel's eye.

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  1. I've created a set of pages for the older top 25 lists in hopes that they'll be serviceable for the short term. Sneak preview here: https://simplegifs.com/stuff/artsandfaith/top-25-horror.html https://simplegifs.com/stuff/artsandfaith/top-25-road.html https://simplegifs.com/stuff/artsandfaith/top-25-marriage.html A few notes on these pages: This is not a professional quality design. I'm offering them simply as a stopgap until we have time/resources to put a more permanent solution in place, on the theory that they reach the "better than nothing" level. The images in the lists (not the images in the nav bar) are taken from the old versions of the top 25 pages. They should be responsive and at least readable on every commonly used device/browser. If they fail at this, please tell me. Also please mention any other accessibility/readability/usability concerns. The "Mercy" and "Waking Up" lists, as far as I know, have never been hosted at A&F at all, but only at Image (where they still are). I don't know the implications of that for re-hosting the lists on this site.
  2. There are still quite nice-looking versions of the lists on Image's website. Is it frowned upon to link to those now?
  3. For several years, I've been maintaining a spreadsheet of all the A&F lists. Here it is updated to include the new list. Interestingly, three of the films on the aging/growing older list—The Straight Story, Wild Strawberries, and Tokyo Story—are also among the films that have appeared on all previous versions of the top 100.
  4. Rushmore

    Stalker (1979)

    Thanks for this, Andrew. This is more helpful than anything else I've seen in coming to terms with my recent reaction to the film, which, at the end, was characterized by crushing disappointment. I felt like I had been tricked into taking a long journey into a black void. That doesn't mean I was oblivious to the beauty of it all. It would have been impossible to feel so profoundly unsatisfied if hadn't also fallen in love with the first two hours. The mesmerizing combination of natural beauty and industrial decay, the sound design, the interesting music choices that arise and pass away... The way the drama, the visuals, and our expectations for the outcome develop over time is absolutely masterful filmmaking. That lengthy rail-car shot, for example: it's beautiful in itself, but it's so good because it comes right there, after the (relatively) fast-paced action of dodging the soldiers and entering the Zone, and it's a perfect time to take a long breath and begin wondering who these men are.
  5. You can choose not to vote on any given film in the poll. Previous polls have stated that not voting on a film means "haven't seen it." A minimum absolute number of votes has always been required for a film to qualify, but as I recall it's been a fairly low number, like 5.
  6. Rushmore

    Tolkien (2019)

    Yeah, "Morgoth on a WWI battlefield" is just about the least interesting way this could have gone.
  7. She's wearing pants and a blouse, not underwear. A re-imagining of Bo Peep doesn't make me any more excited about this, though.
  8. Big problem in the music forum. Is it easy to adjust the board settings so that new users need some kind of manual approval, or perhaps a few posts, before starting new topics?
  9. It is now - it came out on US DVD/Blu-ray a few months ago. But hopefully streaming will allow more people to appreciate it. I never posted here when I finally got a disc that I could watch. It's absolutely fascinating, a complex and searching theological dialogue wrapped up in a medieval mystery play wrapped up in a hard-rock musical. Everyone who's interested in portrayals of the complexities and difficulties of faith, or simply in weird genre-bending, should see it.
  10. Those changes all make sense. One little note: since the rules say not to post anything illegal, they should probably say what jurisdiction's laws are being applied. (Presumably the United States; I don't know if the state matters.) This might especially become relevant for copyright law, which is specifically mentioned.
  11. Rushmore

    The Criterion Channel

    For me, MUBI and Filmstruck are both indispensable, and for very different reasons. Filmstruck is an extensive library that I can browse in at will, choosing my own paths and following my own projects. (Not that it has everything, of course, but it has, to name ones that caught my eye recently, almost all of Ozu, a lot of Kaurismäki, a lot of Rossellini...) However, to really broaden your horizons you should occasionally have someone else choose a movie, and that's the valuable service that MUBI provides. It's given me some memorable experiences that I would undoubtedly never have had otherwise. (Left to my own devices, I would be unlikely to seek out a documentary on Chinese lumberjacks.)
  12. He's right, of course, but yikes. It's not surprising that the email tearing apart the script ("If I were intentionally trying to sabotage this project") failed of its intended purpose.
  13. It might have had something to do with the vote weighting for the top 100/top 25 lists. If we do away with vote weighting, which seems to be the way the wind is blowing, it's probably not of any consequence how posts are counted.
  14. Netflix did the right and really the only possible thing under the circumstances, but I can't help kind of wanting to see this. However, it seems likely, given the absence of continued funding, that postproduction wasn't even completed, so I guess that's unlikely ever to happen.
  15. I've started Leif Enger's new novel Virgil Wander (that's the narrator's name). I greatly loved his first novel Peace Like A River, which I first read as a teenager, but haven't yet read his second, So Brave, Young, and Handsome (it's on order from the library). So far Virgil Wander seems less "magical realist" than Peace Like a River (if I can use the phrase, though "miraculous" would be more accurate than "magical") and more elegiac. It's still beautiful, and it has some characteristics that are recognizable from the earlier book, like the apt, poetic metaphors that crop up unexpectedly. More than anything else, it seems to be full of terrible sadness. It doesn't seem to be about nostalgia or lost happiness - instead, it's about lost opportunities, happiness that should have been. I'm excited (and nervous) to see where the story goes.
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