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  1. This title is picking up steam in my various feeds...Letterboxd, etc. I don't know quite what to make of it. Mulligan is swell, but I can't quite shake the feeling that it is designed to provoke rather than prod. Early this year, I was on the minority end of The Invisible Man, dismissing the film as a prettified "let's beat up women" flick in the guise of "isn't it horrible how women get beat up?" flick. This strikes me more as an Alan Ball type project -- more interested in how often it can shift your allegiances (and scold you for being wrong) than in actually talking a position.
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