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Oscars 2013: Best Live Action Short


  

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The shortlist:

  • “A Fábrica (The Factory),” Aly Muritiba, director (Grafo Audiovisual)
  • “Asad,” Bryan Buckley, director, and Mino Jarjoura, producer (Hungry Man)
  • “Buzkashi Boys,” Sam French, director, and Ariel Nasr, producer (Afghan Film Project)
  • “Curfew,” Shawn Christensen, director (Fuzzy Logic Pictures)
  • “Death of a Shadow (Dood van een Schaduw),” Tom Van Avermaet, director, and Ellen De Waele, producer(Serendipity Films)
  • “Henry,” Yan England, director (Yan England)
  • “Kiruna-Kigali,” Goran Kapetanovic, director (Hepp Film AB)
  • “The Night Shift Belongs to the Stars,” Silvia Bizio and Paola Porrini Bisson, producers (Oh! Pen LLC)
  • “9meter,” Anders Walther, director, and Tivi Magnusson, producer (M & M Productions A/S)
  • “Salar,” Nicholas Greene, director, and Julie Buck, producer (Nicholas Greene)
  • “when you find me,” Ron Howard, executive producer, and Bryce Dallas Howard, director (Freestyle Picture Company)

Edited by Peter T Chattaway

"Sympathy must precede belligerence. First I must understand the other, as it were, from the inside; then I can critique it from the outside. So many people skip right to the latter." -- Steven D. Greydanus
Now blogging at Patheos.com. I can also still be found at Facebook, Twitter and Flickr. See also my film journal.

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Vote!

"Sympathy must precede belligerence. First I must understand the other, as it were, from the inside; then I can critique it from the outside. So many people skip right to the latter." -- Steven D. Greydanus
Now blogging at Patheos.com. I can also still be found at Facebook, Twitter and Flickr. See also my film journal.

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I just watched these. Four of the five are outstanding, and even the fifth has its charms.

If these are playing anywhere near you, I highly recommend that you get to the theater.

"What matters are movies, not awards; experiences, not celebrations; the subjective power of individual critical points of view, not the declamatory compromises of consensus." - Richard Brody, "Godard's Surprise Win Is a Victory for Independent Cinema," The New Yorker

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