Check the OnFilm threads that Doug participated in between September 2000 and May 2001. We used to get along. He even posted a message called "A treat for Peter".
But somewhere along the way, things went sour. The way I recall it, it dates to the time he began hectoring people like me for giving
Entertainment Weekly the time of day, and to the way he resorted to
ad hominem arguments when disagreeing with people like me about the merits of
Dark City and
Memento; and I see that same hectoring spirit, and that same to-the-person instead of to-the-argument approach, in a lot of what he's written since. And it gets in the way of what could be genuine shared enthusiasm for film.
The fact that we have very different politics doesn't help -- and now that I think of it, the political flare-ups at Novogate, where there was no distinguishing between the different kinds of topics under discussion, were probably one of the reasons we moved to PromontoryFilm, so that we could have a forum in which the explicitly political or religious discussions were separate from the film discussions. However, Doug protested that move at the time, and indeed I believe he was still protesting it just a week or two ago in one of the threads here. He wants very much to integrate his politics and his film appreciation (his religion, on the other hand, has been somewhat de-integrated), and I do applaud that, but for years, Doug's comments in each of these areas have been tainted by moral indignation, and when you put the two together -- well, those who take a different position had best watch out!
Add to this that I privately e-mailed Doug a year or two or three ago about resolving our differences and I was, shall we say, rebuffed, and there's just this something, well, unresolved there.
There does come a time for shaking the dust off one's feet, but I guess I've never quite left the doormat. I'm just standing there and stomping. And as with so many melodramatic things, when I say "I long for healing", I'm being somewhat ironic and somewhat sincere at the same time. I don't want to have to leave the mat, at least not in a certain direction, not yet. Or, who knows, maybe I'm just providing an example of the "ambiguity" that Doug likes so much.