Criterion does Kieslowski
#1
Posted 12 July 2006 - 12:48 PM
Anybody know what it's going to be?
Tell me it's The Double Life of Veronique...
#2
Posted 12 July 2006 - 01:06 PM
I noticed on the Criterion page that they've posted a teaser: Kieslowski joins the collection this fall!
Anybody know what it's going to be?
Tell me it's The Double Life of Veronique...
That's the current rumor flying around on DVD Talk and The Criterion Collection Forum. Criterion has said that they are working on said disc for Veronique...
Edited by Clint M, 12 July 2006 - 01:08 PM.
#4
Posted 15 August 2006 - 09:29 AM
Excellent. I have not had a chance to see these yet. Short films must hold a special place in the heart of the Criterion folks.
#5
Posted 15 August 2006 - 09:37 AM
#6
Posted 15 August 2006 - 11:16 AM
Edited by Jeffrey Overstreet, 15 August 2006 - 11:18 AM.
#7
Posted 15 August 2006 - 12:09 PM
Disc 1
From the City of Lódz
I Was a Soldier
Refrain
Bricklayer
X-Ray
Curriculum Vitae*
Slate
Disc 2
First Love
Hospital*
From a Night Porter's Point of View
Seven Women of Different Ages*
Talking Heads
Edited by acquarello, 15 August 2006 - 12:11 PM.
#8
Posted 15 August 2006 - 12:14 PM
I've seen a few of those shorts too, but it was a decade ago at Facets and I can't remember anything other than the fact that they were very engaging.
This is the best news of my day.
If you buy one DVD this year....
-s.
Edit: Aquarello, the Polish DVD release is Region 2, right?
Edited by stef, 15 August 2006 - 12:16 PM.
#9
Posted 15 August 2006 - 09:19 PM
#10
Posted 16 August 2006 - 04:15 PM
Wow, this is clearly a good kind of temptation for me, the kind of temptation I really deserve.
-s.
#11
Posted 23 September 2006 - 03:31 AM
Anyhoo, I saw this film at the Cinematheque tonight; it was the first film (and, by now, possibly the only film) that I was able to catch during the 'theque's month-long Kieslowski series, and I hadn't seen it in something like a decade (when I watched it on VHS), so I figured I'd make the effort.
Loved the look (except when the picture got scratchy). Loved the sound (except when the soundtrack got scratchy). Loved the performances. Loved the scene where Irene Jacob spies the puppeteer in a mirror. Loved the statue of Lenin being hauled off to who-knows-where. Loved the scene where the guy blows his nose -- such an oddly humourous, almost out-of-place bit of mild bodily-function humour in such a high-toned artsy film. Loved the dwarf. Etc., etc., etc. But I'll be darned if I know what the movie's ABOUT.
The Lenin statue might offer a clue -- something to do with the fall of the Iron Curtain and the coming together of parallel worlds on opposite sides of that Curtain, in this case the worlds of Poland and France? Indeed, perhaps
I also find myself wondering if there is any deeper significance to the name Veronique/Veronica. The name is sort of a remix of the words "vera icon", meaning "true icon", and the saint of that name is the woman who supposedly wiped Jesus' face with a cloth as he was being led off to Calvary, only to discover that an image of his face was now permanently imprinted on her cloth; the image on her cloth is considered a "true icon" because it was not made by human hands. Perhaps there is a sense in which Veronique is Veronika's "true icon", or vice versa, because BOTH of these women reflect each other PERFECTLY? I.e., one is not a mere painting or artistic representation of the other, but instead, one is a perfect embodiment of the other?
Something like that, anyway.
#13
Posted 23 September 2006 - 02:51 PM
#15
Posted 22 April 2009 - 12:42 AM
Please do feel free to complicate things again. It's a lovely film, but discussion of it tends to be rather... brief and mystified.
I will admit I've made no headway on Peter's question: what is the film about? I think I understand how it functions, but if that adds up to something larger than the curious story of two beautiful women, I don't know what it is. I feel like it has to have something to do with the fall of the Berlin Wall, but every political metaphor I try to construct seems trite. Perhaps it's not really about the Eastern/Western Europe divide so much as that's one more means of emphasizing the unity/disunity conflict at the heart of the film. I think I would be all right if it weren't about anything else.











