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Cowboys & Aliens (2011)


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#1 John Drew

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Posted 16 June 2008 - 08:19 AM

It's a long way off, but what the heck. Robert Downey Jr. is being sought by Dreamworks to star in an adaptation of Fred Van Lente and Andrew Foley's graphic novel...

From The Hollywood Reporter:

Quote

"Cowboys & Aliens" derives from a graphic novel written by Fred Van Lente and Andrew Foley from an original idea by Rosenberg. The story centers on an Old West battle between the Apache and Western settlers, including a former Union Army gunslinger named Zeke Jackson (Downey), that is interrupted by a spaceship crashing into the prairie near Silver City, Ariz.

The story draws a parallel between the American imperialist drive to conquer the "savage" Indians with its advanced technology and the aliens' assault on Earthlings, who must join together to survive the invaders' attack.

Edited by Baal_T'shuvah, 07 April 2010 - 04:53 PM.


#2 John Drew

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Posted 07 April 2010 - 04:42 PM

Update:

Robert Downey Jr. is no longer involved (may never have been). Daniel Craig is playing Zeke Jackson. Olivia Wilde (House M.D.) is Ella. And today director Jon Favreau announced that Harrison Ford has joined the cast.

Story here.

Edited by Baal_T'shuvah, 07 April 2010 - 04:43 PM.


#3 Peter T Chattaway

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Posted 07 April 2010 - 06:40 PM

Links to our threads on other recent past, present and future alien-invasion and -visitation movies such as Cloverfield (2008), Monsters Vs. Aliens (2009), District 9 (2009), The Fourth Kind (2009), Monsters (2010), Skyline (2010), Battle: Los Angeles (2011), Mars Needs Moms (2011), Paul (2011), Attack the Block (2011), Super 8 (2011), Green Lantern (2011), Transformers: Dark of the Moon (2011), Apollo 18 (2011), The Thing (2011), The Darkest Hour (2011), Battleship (2012), Men in Black III (2012), Pacific Rim (2013), Agent OX (in development), Alien Sleeper Cell (in development), Archangel (in development), Dark Moon (in development), Dominion: Dinosaurs Vs. Aliens (in development), Earth Defense Force (in development), The Fallen (in development), The Host (in development), The Kitchen Sink (in development), They Live (in development), Under the Skin (in development), The Watching Hour (in development), Year 12 (in development) and Neil Marshall's World War 2 alien-invasion flick (in development).

Baal_T'shuvah wrote:
: And today director Jon Favreau announced that Harrison Ford has joined the cast.

Well, he didn't announce it so much as confirm a leak. :)

Edited by Peter T Chattaway, 16 May 2011 - 06:17 PM.


#4 Overstreet

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Posted 15 November 2010 - 01:43 PM

Posted Image

This poster makes it look like the sequel to Brokeback Mountain.

#5 Overstreet

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Posted 17 November 2010 - 01:18 PM

And here's the trailer!

#6 Peter T Chattaway

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Posted 17 November 2010 - 01:21 PM


Edited by Peter T Chattaway, 16 May 2011 - 06:18 PM.


#7 Overstreet

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Posted 17 November 2010 - 02:50 PM

Can't wait to see the first True Grit/Cowboys & Aliens mashup trailer.

#8 Ryan H.

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Posted 17 November 2010 - 03:05 PM

Hm. Harrison appears to be phoning it in. Not that I expect anything more from him these days. Favreau has brought the same teal-and-orange look his brought to IRON MAN 2. Is it just me, or is digital grading is the worst thing to ever happen to cinema?

On the upside, it has Daniel Craig.

Edited by Ryan H., 17 November 2010 - 03:06 PM.


#9 Nathaniel

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Posted 17 November 2010 - 03:19 PM

View PostRyan H., on 17 November 2010 - 03:05 PM, said:

Is it just me, or is digital grading is the worst thing to ever happen to cinema?
That, and CGI, cosmetic surgery, popcorn, multiplexes, home video (though I'm not complaining), and Eli Roth.

#10 Nathan Douglas

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Posted 17 November 2010 - 09:22 PM

It's just a trailer...but if this is the first chance to sell audiences on a movie called Cowboys & Aliens, why does it seem so grim?

#11 Peter T Chattaway

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Posted 17 November 2010 - 09:30 PM

Ryan H. wrote:
: Favreau has brought the same teal-and-orange look his brought to IRON MAN 2.

Yes, that jumped out at me too. But is it really Favreau's fault? EVERYBODY does that these days, from Harry Potter and the Deathly Hallows to Jennifer's Body (to cite two films that come to mind only because I saw them recently, but I could just as easily have picked any two films at random from the past decade).

: On the upside, it has Daniel Craig.

Yeah, this marks the second time Ford has co-starred with one of the James Bonds (the first time being Indiana Jones and the Last Crusade, natch).

#12 Tyler

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Posted 17 November 2010 - 11:51 PM

View PostOverstreet, on 17 November 2010 - 02:50 PM, said:

Can't wait to see the first True Grit/Cowboys & Aliens mashup trailer.

Pride & Prejudice & Zombies & Cowboys & Aliens & Lilo & Stitch





#13 Ryan H.

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Posted 18 November 2010 - 06:38 AM

View PostPeter T Chattaway, on 17 November 2010 - 09:30 PM, said:

But is it really Favreau's fault?
Sure. He's not the only one to blame, but he could sure get a new cinematographer (though it does seem that even the best cinematographers around will occasionally dip into the orange-and-teal pool). Or he could tell that cinematographer exactly what to do, like Kubrick did.

#14 Peter T Chattaway

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Posted 18 November 2010 - 12:04 PM

Ryan H. wrote:
: Or he could tell that cinematographer exactly what to do, like Kubrick did.

Is digital colour grading really the cinematographer's job, though? I've gotten the impression that it's something that happens in post-production, and it's not clear to me whether Favreau would have the sort of clout there that Kubrick did. (I've basically been assuming that all the teal-and-orange colour grading in these movies is done by the same kinds of hacks who insist on cropping the tops, sides and bottoms off of all the old Disney and Warner cartoons whenever they "restore" those films for DVD -- or, more to the point, I've been assuming that the studios just don't care about the technical sides of such things.)

#15 Ryan H.

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Posted 18 November 2010 - 12:42 PM

View PostPeter T Chattaway, on 18 November 2010 - 12:04 PM, said:

Is digital colour grading really the cinematographer's job, though?
To the best of my knowledge, the cinematographer oversees the progress. I think a colorist technically performs the actual work, but it's not as though it's out of the cinematographer/director's hands at that point.

Edited by Ryan H., 18 November 2010 - 12:45 PM.


#16 Cunningham

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Posted 18 November 2010 - 02:58 PM

There was a featurette on digital grading on one of the Lord of the Rings special editions that showed Peter Jackson very involved in the digital grading of those movies.

#17 Peter T Chattaway

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Posted 18 November 2010 - 03:47 PM

Cunningham wrote:
: There was a featurette on digital grading on one of the Lord of the Rings special editions that showed Peter Jackson very involved in the digital grading of those movies.

Jackson, sure. (Similarly, James Cameron recently went all teal-and-orange on the Blu-Ray edition of Aliens, apparently.) But was his cinematographer necessarily part of that picture?

#18 Ryan H.

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Posted 18 November 2010 - 06:27 PM

View PostPeter T Chattaway, on 18 November 2010 - 03:47 PM, said:

(Similarly, James Cameron recently went all teal-and-orange on the Blu-Ray edition of Aliens, apparently.)
Good thing I have my earlier editions of ALIEN and ALIENS. They've both been teal-ed in the more recent releases.

#19 Peter T Chattaway

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Posted 30 November 2010 - 10:10 AM

Question for Big Film: It’s Not a Comedy?
In “Cowboys & Aliens” — which is directed by Jon Favreau, of “Iron Man” fame, and counts Steven Spielberg, Brian Grazer and Ron Howard among its producers — Universal and DreamWorks have one of next summer’s most highly anticipated movies.
But some people may be anticipating the wrong film.
Deceived by a title and a premise that many find inherently comic, potential viewers must now cope with a realization that Mr. Favreau wasn’t kidding when he told fans at the Comic-Con International convention last July that he planned to mix a “by-the-book, right-down-the-middle western” of the kind once made by Sergio Leone and John Ford, with really scary science fiction, like “Alien” or “Predator.” . . .
“Cowboys & Aliens” may be caught in a web of false expectation that was partly woven from its own origins.
Thirteen years ago Scott Mitchell Rosenberg, a comic-book entrepreneur, came up with a dual pitch for both a movie and a comics series, set in 19th-century Arizona, about warring cowboys and Apaches who join forces to fight an invasion by space aliens.
It was billed at the time as a follow-up to “Men in Black,” the hugely successful action-comedy — with which Mr. Rosenberg was also involved — about a couple of secret agents, played by Will Smith and Tommy Lee Jones, who are tasked with keeping tabs on all the unruly aliens who find their way to Earth.
Originally, Steve Oedekerk, the filmmaker behind “Ace Ventura: When Nature Calls,” was to have been the writer and director of “Cowboys & Aliens” — a clear sign that it was conceived more in fun than as a homage to John Ford.
As it happened, a hard-edged “Cowboys & Aliens” graphic novel was published while the film project faded. That occurred partly because “Wild Wild West,” a frontier fantasy laced with improbable devices, including a giant mechanical spider, underperformed at the box office in 1999, reminding Hollywood of the risk in cross-genre adventures.
Revived much later under the supervision of the writer-producers Alex Kurtzman and Roberto Orci, “Cowboys & Aliens” became a deadly serious film. Its hero, Jake Lonergan, played by Mr. Craig, is a loner who stumbles into the troubled town of Absolution, which is under the thumb of Harrison Ford’s Col. Woodrow Dolarhyde. That is, until invading aliens change the game for everyone.
Speaking by telephone on Monday, Eddie Egan, president for marketing at Universal Pictures, said he was not concerned that an audience trained on wise-cracking period adventures like “Sherlock Holmes” and the “Pirates of the Caribbean” series now has some catching up to do.
“The trailer is the first very public step in reconciling the tone of the movie with the more immediate effect of the title on its own,” said Mr. Egan, who acknowledged that the notion of cowboys fighting aliens could seem funny. . . .
New York Times, November 29

#20 Peter T Chattaway

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Posted 10 December 2010 - 02:10 AM

Screenwriter Bob Orci:

ORCI: We started off very tongue-in-cheek, particularly when we were thinking about casting Robert Downey, Jr. We were thinking of how much more of a talky character he would be and how much more it would ironic. And as we zeroed in on it started really thinking about it, we realized that irony was a little bit of the last thing we needed. The spin on the movie is already there: “Aliens are landing in a Western.” That’s all the spin you need. The way to maximize that is to play it extremely straight, and to have any fun or comedy come out of the natural moments that would come out of a situation like that, not out of writing the jokes and winking at the audience. And that’s what’s been good about having Daniel sort of as our lead cowboy, is that he immediately switched the tone - just by knowing that we were going to be writing someone who’s going to really play it straight. And he kind of looks like Steve McQueen, you know, he’s got a Steve McQueen vibe, and we’re always shocked when you find the right thing at the last minute. We really came to what we wanted the tone to be after jumping back and forth. It went from a little too funny to way too dark, to a little bit too funny to a little bit too dark, to hopefully just right. We’ll find out.