2009 Top Ten Lists
#1
Posted 17 October 2009 - 09:02 PM
#2
Posted 18 October 2009 - 08:20 AM
#3
Posted 18 October 2009 - 08:30 AM
#4
Posted 18 October 2009 - 11:02 AM
I do find these threads extremely helpful though. They help me in gravitating toward films I'll actually enjoy when they make their way to DVD. So thank you, and yes -- let the wild rumpus begin.
#5
Posted 18 October 2009 - 06:37 PM
Edited by Ryan H., 18 October 2009 - 06:37 PM.
#6
Posted 18 October 2009 - 07:08 PM
Strong candidates for my top ten so far:
- The Girlfriend Experience
- Bright Star
- The Road
- Where the Wild Things Are
- The Class
- Munyurangabo
- Goodbye Solo
- Ponyo
- Phoebe in Wonderland
- A Serious Man
- Seraphine
- Coraline
- Moon
- Still Walking
- Lorna’s Silence
- Up
- Summer Hours
- The Song of Sparrows
- Public Enemies
- Lake Tahoe
Others that I may grow to love more on reflection and second viewings:
- In the Loop
- Sparrow
- The Informant!
- Tell No One
- Departures
- Hunger
- Away We Go
Judging from the love of other critics, maybe I saw these on bad days, cuz they didn't do much for me:
- District 9
- Inglourious Basterds
- 500 Days of Summer
- The Hurt Locker
- The Brothers Bloom
I still *must* see:
- Julie and Julia
Gomorrah
Police, Adjective
Edited by Overstreet, 04 December 2009 - 11:18 AM.
#7
Posted 19 October 2009 - 01:24 PM
#8
Posted 19 October 2009 - 03:26 PM
Persona, on 18 October 2009 - 11:02 AM, said:
Agreed. How many films do you guys actually see in the theater per year anyhow. Honestly, I'm lucky if I make it up to around 40.
Personal top ten favorites so far -
- Defiance
- Inglourious Basterds
- Up
- Funny People
- Watchmen
- Public Enemies
- I Love You, Man
- Terminator Salvation
- Star Trek
- Harry Potter and the Half-Blood Prince
- Assassination of a High School President
- Observe and Report
- The Brothers Bloom
- Moon
- The Hurt Locker
- All Good Things
- The Informant!
- A Serious Man
- Gentlemen Broncos
- Boondock Saints II
- The Men Who Stare at Goats
- The Lovely Bones
- Sherlock Holmes
- The Imaginarium of Doctor Parnassus
Edited by Persiflage, 19 October 2009 - 03:27 PM.
#9
Posted 19 October 2009 - 05:50 PM
The Class
The Song of Sparrows
Coraline
Phoebe in Wonderland
Departures
Up
Away We Go
(500)Days of Summer
A Woman in Berlin
Cloudy With a Chance of Meatballs
No Impact Man
#10
Posted 19 October 2009 - 07:40 PM
Hunger
Lorna's Silence
Canary
Munyurangabo
The Spine
Liverpool
The Headless Woman
Revanche
Summer Hours
Still musing:
The Girlfriend Experience
Where the Wild Things Are
Seraphine
Jerichow
Moon
Still have a lot to catch up on.
Edited by MLeary, 23 October 2009 - 06:11 PM.
#11
Posted 19 October 2009 - 08:03 PM
Overstreet, on 18 October 2009 - 07:08 PM, said:
- The Hurt Locker
#12
Posted 19 October 2009 - 08:25 PM
#13
Posted 19 October 2009 - 10:19 PM
Sugar
The Brothers Bloom
The Class
District 9
Up
Summer Hours
Goodbye Solo
In the Loop
Moon
Lorna's Silence
Munyurangabo
Coraline
Not quite good enough for the list, but enjoyable nonetheless
World's Greatest Dad
Rudo y Cursi
Star Trek
The Hurt Locker
I Love You, Man
(500) Days of Summer
Anvil! The Story of Anvil
Edited by Crow, 19 October 2009 - 10:22 PM.
#14
Posted 20 October 2009 - 10:12 AM
One of the privileges of being affiliated with a local critics' group is that I receive screeners of films I've missed during the year (I see only the movies I'm assigned to review, plus a few more on my own time and dime -- but literally, just a few). I realize that gives me a big advantage over others who, as I did until a couple years ago, have to carve out time and money to see films at the theater, or to wait for video. But if it makes anyone feel better, I don't have the luxury of going to the movies in my spare time as often as I could in the past, and the films I'm assigned to see are nearly almost mediocre at best. So, when I hear about a great movie at the theater, I'm often left anticipating seeing it "someday," hoping for a screener that might make that task easier.
I'm not looking for pity, but suggesting that even paid freelance critics don't necessarily have a deep well of titles to draw from when putting together these lists. In my case, I'll have a deeper well soon -- my first batch of screeners showed up yesterday, and every one of the titles (6 or 7 of 'em) is something I need to see before compiling this list.
Sorry if this sounds defensive. No one has accused me of anything!
#15
Posted 20 October 2009 - 10:49 AM
1. Police, Adjective
2. Hadewijch
3. The White Ribbon
4. Mother
5. Face
6. Summer Hours
7. Where the Wild Things Are
8. Wild Grass
9. White Material
10. Inglourious Basterds
11. A Serious Man
12. Coraline
13. Adventureland
14. Up
15. Drag Me to Hell
I love the word association gibberish that comes from the title juxtapose. The mother's face in the summer hours asks, "Where are the wild things?" They're in the wild grass, with the white material, those inglorious bastards!
#16
Posted 20 October 2009 - 01:24 PM
#17
Posted 20 October 2009 - 02:29 PM
#18
Posted 20 October 2009 - 02:32 PM
Russ, on 20 October 2009 - 10:49 AM, said:
There isn't. Someone, I think it is D'Angelo for some reason, keeps a list every year of official 2009 films, which means at some point they have had a non-festival release in New York City. The location is arbitrary, but any US limited release is going to show up there anyway. I like how Sicinski releases a top ten off of this list and a top ten of everything he has seen in that year, including festivals and gallery screenings. I always aim for the latter, but may try to do both if I can.
#19
Posted 20 October 2009 - 03:41 PM
Inglourious Basterds
Moon
Public Enemies
Star Trek
Coraline
Up
Other possible contenders:
Brothers Bloom, Adventureland, The Hurt Locker
Michel Gondry's segment of Tokyo! was one of my favorite things I've seen this year, but being part of an anthology I guess it doesn't qualify for a top ten list.
Edited by J.R., 20 October 2009 - 03:47 PM.
#20
Posted 20 October 2009 - 04:04 PM
J.R., on 20 October 2009 - 03:41 PM, said:
Who made that rule? Just define your list however you want. Short films rarely get the recognition they deserve. As a visual artist the predominance of 90+ min. films is really strange to me.










