Melancholia
#41
Posted 18 May 2011 - 11:05 AM
#42
Posted 18 May 2011 - 11:08 AM
Overstreet, on 18 May 2011 - 10:24 AM, said:
Peter T Chattaway, on 18 May 2011 - 11:05 AM, said:
#43
Posted 18 May 2011 - 11:43 AM
Peter T Chattaway, on 18 May 2011 - 11:05 AM, said:
You should check out EUROPA. I think it's probably my favourite Von Trier film. This bodes well for my enjoying MELANCHOLIA.
#44
Posted 18 May 2011 - 11:57 AM
Ryan H., on 18 May 2011 - 11:08 AM, said:
Overstreet, on 18 May 2011 - 10:24 AM, said:
FWIW, I read that Kirsten Dunst told the press after the conference that Von Trier was being completely serious. But he's become deliberately outrageous to the point where the only thing one can do is refuse to take his behavior and sayings at face value. I must say, I enjoyed reading about the press conference more than I have any other Cannes-related coverage this year, much of which has been quite good.
As for his vow to make a porno film, hasn't he been vowing that for years? I'm thinking this "promise" preceded "The Idiots," which I never saw but remember wondering, after its release, if it was the film Von Trier referred to.
Anders, on 18 May 2011 - 11:43 AM, said:
Peter T Chattaway, on 18 May 2011 - 11:05 AM, said:
You should check out EUROPA. I think it's probably my favourite Von Trier film. This bodes well for my enjoying MELANCHOLIA.
Edited by Christian, 18 May 2011 - 11:57 AM.
#45
Posted 18 May 2011 - 12:03 PM
Christian, on 18 May 2011 - 11:57 AM, said:
Anders, on 18 May 2011 - 11:43 AM, said:
Peter T Chattaway, on 18 May 2011 - 11:05 AM, said:
#46
Posted 18 May 2011 - 12:35 PM
Ryan H., on 18 May 2011 - 12:03 PM, said:
Christian, on 18 May 2011 - 11:57 AM, said:
Anders, on 18 May 2011 - 11:43 AM, said:
Peter T Chattaway, on 18 May 2011 - 11:05 AM, said:
It's streaming on Netflix, along with several other LtV movies.
#47
Posted 18 May 2011 - 01:22 PM
Von Trier avoids antagonizing the viewer with his usual gut-punch theatrics, settling down for a story about colliding worlds, breaking façades, and shifting alliances. The relationships we carry on our shoulders are so heavy the world can literally split apart from the pressure, and there's nothing like a gigantic blue orb to put specific burdens in perspective. Melancholia finds solace in this respect by dismantling the ways expressions of love, commitment, and family can fail. The hovering balloon lanterns incinerating in the sky, an ignored photograph of a ranch, and dismantled vows are signals of an emotional world shifting off its axis. These are von Trier's cinematic cave paintings to a pulverizing overture of calamity. Melancholia descends calmly into the fiery red night with an unnerving grace only von Trier could conjure. Life on Earth may be evil, as Justine resolutely confesses in a sobering monologue to Claire, but there's hope in the mortal resignation that there might be a chance to start again, somewhere ethereal beyond the scope of cinema.
#48
Posted 18 May 2011 - 05:08 PM
Quote
#49
Posted 19 May 2011 - 03:54 PM
Oh, haven't we all had moments like this one?
Edited by Overstreet, 19 May 2011 - 03:55 PM.
#50
Posted 19 May 2011 - 04:06 PM
Ryan H., on 18 May 2011 - 11:08 AM, said:
Overstreet, on 18 May 2011 - 10:24 AM, said:
And now he's banned from the festival.
Really, the whole thing reminds me of Dylan's famous declaration that he could sympathize with Kennedy's assassin, except that Von Trier seemed to realize while he was talking how tasteless his comments were and tried--at least, halfheartedly--to backpedal. But even in the scheme of tasteless-Nazi-symathizer jokes, Von Trier's comments strike me as pretty tame. Perhaps not defensible, but nothing on the level of--say--dressing up as a Nazi for a costume party.
Edited by NBooth, 19 May 2011 - 04:11 PM.
#51
Posted 19 May 2011 - 04:26 PM
Darren H, on 18 May 2011 - 05:08 PM, said:
And all anyone can talk about is the press conference. Years from now, maybe not even that long, people are going to watch Melancholia and wonder why it didn't win any major prizes at Cannes. (Assuming the movie is as good as some say it is, which isn't to say that it might not have superior competition.)
Edited by Christian, 19 May 2011 - 04:26 PM.
#52
Posted 19 May 2011 - 05:11 PM
But seriously, if MELANCHOLIA is as good as people are saying it is, it's a shame Von Trier's craziness is overshadowing the film.
#53
Posted 19 May 2011 - 05:17 PM
: But even in the scheme of tasteless-Nazi-symathizer jokes, Von Trier's comments strike me as pretty tame. Perhaps not defensible, but nothing on the level of--say--dressing up as a Nazi for a costume party.
Not that dressing up as a Nazi for a costume party would have to signify Nazi sympathization, any more than dressing up as Darth Vader or a stormtrooper would signify Sith sympathization.
#54
Posted 19 May 2011 - 05:51 PM
Ryan H., on 19 May 2011 - 05:11 PM, said:
But seriously, if MELANCHOLIA is as good as people are saying it is, it's a shame Von Trier's craziness is overshadowing the film.
Wait. If I say I understand something that I wouldn't necessarily agree with, will I be banned?
#56
Posted 19 May 2011 - 08:58 PM
The point you missed is that the distributors have also dropped the film. So now we either never see it, or another company gets to benefit from Argentina Distribution Company's drop.
#57
Posted 19 May 2011 - 09:01 PM
Persona, on 19 May 2011 - 08:58 PM, said:
#58
Posted 19 May 2011 - 09:08 PM
#59
Posted 20 May 2011 - 07:29 AM
#60
Posted 20 May 2011 - 08:16 AM
Darren H, on 20 May 2011 - 07:29 AM, said:
The link above referred to a "Argentina Distribution Company" dropping the film. Perhaps that is only for Argentina.










