Peter T Chattaway, on 13 October 2011 - 09:10 AM, said:
NBooth wrote:
: Is this where I come in and say "meh, it's overrated"?
Oh, go for it. I would agree with you: this movie is definitely over-rated.
I think SDG got to several points more subtle and thought-out than I have in
the linked discussion, so (at
the risk of sounding like a grouch) I'll just number
the things that bug me:
1.
the movie thinks it's really clever, but it isn't. This is my biggest gripe. I don't know if I can be more precise, but after a couple of viewings (which I admit I enjoyed) I started to get really annoyed at stuff like
the voice-clearing dungeon keeper or
the speech-impaired priest or Miracle Max. It's just so broad that it needs to be played straight--and it isn't.
the movie winks every time something like this comes up--it lets us know that it's in on
the joke--and that's fatal if you want to sell something stupid like Andre's impersonation of
the Dread Pirate Roberts. (And don't get me started on
the framing device).
2. Relatedly,
the movie tries to have it both ways with
the noxious "true love"
theme. That is, it tries to play it straight
and subvert it. Doing one of those is fine (even though
the idolization of Romantic love is dumb, dumb, dumb); doing both is just overkill. (And this isn't an example of a movie functioning on one level for
the kids and ano
ther for adults; at least, I don't think it is).
3.
the characters are idiots. I can deal with idiot characters most of
the time, but here it bugs me. It's not like in
O Brother Where Art Thou or
Raising Arizona (both examples of movies, incidentally, that play stupid humor straight) where you can sense an undercurrent of affection for
these characters (precisely because
the humor is so straight-faced); here
the characters are just hopping grotesques, and since
the movie's already decided to wink at us about
their stupidity,
they don't even get
the dignity of being taken seriously be
the film.
So yeah. I admit it's been a few years since I could bring myself to watch
the movie--and perhaps my opinion would be more generous if I were to re-watch it. But those are my gripes. If I want kid's fantasy from
the eighties I'll take
Labyrinth (which winks, but not as much) or
The NeverEnding Story (which plays it straight and actually has interesting things to say about storytelling--unlike
the framing device in
The Princess Bride.
Meh. It's overrated.