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Spiritually Significant Films
TOP100
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Frequently Asked Questions about the Arts & Faith Top100

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Last update: October 9, 2004

  1. From which decades does the Top100 list drawn its films?
  2. Does the Top100 include any silent pictures?
  3. Is a "spritually significant film" always going to be a drama?
  4. How did the voting system work?
  5. Did you deliberately balance art-house films with popular films?
  6. Regarding the spiritual depth of the films: How far did you go evaluating a film as having worthwhile spirituality if it didn't include Christian messages per se?
  7. I see you have films about or loosely refering to Jesus, including controversial ones - Life of Brian and The Last Temptation of Christ. Was this difficult for the board to include these last two films?
  8. Where are reviews of the films to be found?
  9. Is there a run-down from good to better (1-100), or are the films given any kind of order?
  10. What is meant by "spirituality" in the list? Was Christian spirituality the sole criteria for selection?
  11. A balance of popular films and art house? - is this really true? -
  12. I noticed there are no horror movies on this list. Was there something about horrors that didn't qualify?
  13. Why isn't [pick a film] on this list? Why aren't there more films from [pick a genre]?
  14. Is this list representing films that are more "ethereal" in nature?
  15. Are these films appropriate for all audiences?
  16. Where can I read more about the Top100?
  17. Can I put this list on my website?

Q&A

  1. From which decades does the Top100 list drawn its films?
    For a chronological breakdown of the Top100, please visit this area of the Arts & Faith website.

  2. Does the Top100 include any silent pictures?
    Yes. Both Sunrise: A Song of Two Humans (Murnau, 1927) and La Passion De Jeanne D'arc ("The Passion of Joan of Arc", 1928, Dreyer) are silent films.

  3. Is a "spritually significant film" always going to be a drama?
    Certainly many of the films on the list have a straight dramatic tone to them, but comedy, adventure, science fiction, and other genres are well represented.

  4. How did the voting / selection system work?
    The selection of the Top100 happened in four phases, summarized as follows: First, all users of Arts & Faith had a period of time in which to nominate films. There were no restrictions placed on the number or type of films that could be nominated. Next, the heaviest users of the website, including professional journalists and movie reviewers, were allowed to cast a limited number of votes for nominated films. The films that were agreed-upon unanimously or nearly unanimously were selected for first round for the Top100. Similarly, those that failed to get any real response from this group were eliminated. Next, the entire registered user list of Arts & Faith was allowed to vote for remaining films, based on the number of those films that they had seen themselves. That voting took places after lengthy and often heated debate. Finally, the list was rounded out with jury selections, consisting of a selections by panels of experts in world cinema, "biblical" films, and general cinema. The archived debate over the 2004 list is available here on the Arts & Faith website.

  5. Did you deliberately balance art-house films with popular films?
    There wasn't really any deliberate balancing to the list. However, several of the films on the list are special juried selections, and many of the board's users (and especially its heavy users) are very familiar with world cinema and lesser-known movies.

  6. Regarding the spiritual depth of the films: How far did you go in evaluating a film as having worthwhile spirituality if it didn't include explicitly Christian messages?
    As a general rule, users of Arts & Faith implicitly or explicitly profess Christian faith. The only standard for debate was that these films must somehow be "spiritually significant," although that phrase was deliberately left undefined. As a result, the list reflects some films that are nearly word-for-word adaptations from Scripture, whereas other films rest more on the common ground we all share as created beings.

  7. I see you have films about or loosely refering to Jesus, including controversial ones - Life of Brian and The Last Temptation of Christ. Was this difficult for the board to include these last two films?
    It was certainly difficult for some users of the board, but not so much because these films are spiritually controversial but becuase they were seen as lesser films. Not so much with Life of Brian, but The Last Temptation of Christ was viewed by several as just being a bad film. Others saw it as a flawed but original treatment of the humanity of Jesus, and therefore "significant". Still others saw that film as a regretable film, but nevertheless important. The inclusion of these films on the list represents the great diversity of opinions among Arts & Faith users, and one of the reasons the discussions on the website are varied and lively.

  8. Where are reviews of the films to be found?
    By visiting the Top100 webpage at artsandfaith.com/top100/, visitors can select to learn more about individual films. Wherever possible, summaries or capsule reviews are included along with links to more substantial resources. For some films, there is merely a link to their IMDB entires, however, more materials will be added over time. Additionally, the Arts & Faith website has a powerful search feature that enables users accurately to search through tens of thousands of posts for information on specific directors, actors, or movies.

  9. Is there a run-down from good to better (1-100), or are the films given any kind of order?
    The films are not ranked in any significant order, but we will most likely produce additional lists in the future, such as a list of the top children's films or a "cream of the crop" Top10 films list. The list does indicate whether the films were selected during the first, second, or juried rounds of voting.

  10. What is meant by "spirituality" in the list? Was Christian spirituality the sole criteria for selection?
    Please see the answer to question #6, above.

  11. You talk about "a balance of popular films and art house." Is this really true?
    Please see the answer to question #5, above.

  12. I noticed there are no horror movies on this list. Was there something about horror films that didn't qualify?
    It depends on what you mean by "horror." Some would consider The Sixth Sense a horror film. Abel Ferrara's The Addiction is a vampire movie, and Night of the Hunter is considered a horror film. There are elements of the horror genre in other films, ranging from The Elephant Man to the trilogy The Lord of the Rings, although the latter is more usually considered either an adventure or scifi/fantasy series. During the selection process there was debate about other films, such as 28 Days Later and Frankenstein, and horror films may make a larger appearance in the next revision of the list. Readers are welcomed to get involved and start advocating for next year's changes.

  13. Why isn't [pick a film] on this list? Why aren't there more films from [pick a genre]?
    The Top100 list will be revised annually. While there are certainly many excellent films that did not make the list, it is a terrific start and contains first-rate films. As the makeup of the website user-list changes and participants consider broader issues, the list will change and adapt over time.

  14. Is this list representing films that are more "ethereal" in nature?
    Yes and no. Certainly films that are occupied with "ethereal" considerations are more likely to focus on the supernatural or on the character's internal lives. By that measure, the list may contain such films. However, that should not be taken to mean that there films on the list that are "flaky", overly introspective, "new-agey" or otherwise not solidly focused on things that matter. For example, the "ethereal" film What Dreams May Come did not make the list.

  15. Are these films appropriate for all audiences?
    Definitely not. Some include elements of life that will be difficult for some audiences, and some are emotionally very charged. In particular, Bad Leiutenant, Breaking the Waves, and The Last Temptation of Christ will present challenges for some and should be 'handled with care,' although they will be deeply rewarding for others.

  16. Where can I read more about the Top100?
    In addition to the discussion and analysis on the Arts & Faith website, there is an overview by Ron Reed available at Christianity Today Movies.

  17. May I put this list on my webiste?
    You are welcome to list up to twenty of the films on the list as long as you include the phrase "Copyright 2004 Arts & Faith. Used by permission" and include a clear link to the URL http://artsandfaith.com/top100/ along with the films you mention. There are also graphics available here to enhance any presentation of the Top100, or to highlight films that are included in the Top100. If you want to list more than 20 films on your webpage, please contact us at top100@artsandfaith.com.

Copyright © 2004 Arts & Faith. All rights reserved. Additional text copyright respective owners, used with permission.