Federico Fellini’s Nights of Cabiria (1957) transcends the well-worn cliche of the golden-hearted prostitute. The film stars Fellini’s wife and constant collaborator, Giuletta Masina, as a woman named Maria Ceccarelli but known to everyone in her social strata as Cabiria. Cabiria was pushed into prostitution by her Read More …
“Recently, I’ve had the weirdest dreams,” says the aged physician Isak to his daughter-in-law Marianne. His confession is an understatement. Isak’s dreams create the crises and categories for a film about legacy and death. Beginning with a Dali-esque vision—Gunnar Fischer’s magnificently shot chiaroscuro sequence for Read More …
“How can you be guiltier than anyone in the eyes of all? There are murderers and brigands. What crimes have you committed to blame yourself more than everyone else?” “My dear mother, my deepest love, know that everyone is guilty in everyone’s eyes. I do Read More …
John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a Read More …
John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a Read More …
Andrei Tarkovsky’s Stalker is a film set in two worlds, but one that takes place entirely on Earth. The first act of Stalker shows us an unnamed, dilapidated city shot in washed-out sepia tones so murky and muted it is difficult to imagine anything surviving there. In this city Read More …
The great and final act of Krzysztof Kieslowski’s remarkable career was the production of a trilogy called Three Colors—Blue, White, and Red—that represents the colors of the French flag, and the values they represent: liberty, equality and fraternity. Filmed in three countries (France, Poland, Switzerland), their plots Read More …
A stuttering student is hypnotized to cure his impediment. A strong wind blows across a field. A ceiling collapses in a rainshower. A bird lands on a boy’s head. A sleeping woman levitates over her bed. A man clutches some feathers in his hand, and Read More …
With a rigorous style that is often off-putting to newcomers, Bresson eschews the usual emotional cues we’ve become conditioned to expect at the movies. His editing is, above all, efficient—refusing to emphasize one moment over another. We’re forced to pay fierce attention and draw our Read More …
“What is the true meaning of life?” Polish director Krzysztof Kieslowski has asked. “Why get up in the morning? Politics doesn’t answer that.” The Decalogue, Kieslowski’s extraordinary, challenging collection of ten one-hour films made for Polish television in the dying days of the Soviet Union, doesn’t Read More …