A melting pot of social, racial and biological interactions, with injustice and violence and voyeurism thrown into the mix, Code Unknown is a film about owning up to the mystery of human relationships—how we stumble to connect through the maze of our own expressions. The film’s continual Read More …
Whirring helicopter blades slowly dissolve into the rotating ceiling fan of Capt. Willard’s Saigon apartment, as he drinks himself into oblivion. Lt. Col. Kilgore blasts Wagner from his infantry helicopters as they decimate a Viet Cong village. The mad genius, Col. Kurtz, sets himself up Read More …
In a key scene of Romanian writer–director Cristian Mungiu’s 4 Months, Gabita Dragut (Laura Vasiliu) and her college roommate and friend Otilia (Anamaria Marinca) agree never again to discuss the horrific events of that day. To draw a shroud of silence over certain overwhelming experiences is Read More …
Set on the border between Mexico and America, Orson Welles’ Touch of Evil tells the tale of a murder investigation that pits two determined men against one another: Miguel Vargas, an official in the Mexican government, and Hank Quinlan, an American police captain. Vargas is Read More …
Federico Fellini’s Nights of Cabiria (1957) transcends the well-worn cliche of the golden-hearted prostitute. The film stars Fellini’s wife and constant collaborator, Giuletta Masina, as a woman named Maria Ceccarelli but known to everyone in her social strata as Cabiria. Cabiria was pushed into prostitution by her Read More …
“Recently, I’ve had the weirdest dreams,” says the aged physician Isak to his daughter-in-law Marianne. His confession is an understatement. Isak’s dreams create the crises and categories for a film about legacy and death. Beginning with a Dali-esque vision—Gunnar Fischer’s magnificently shot chiaroscuro sequence for Read More …
“How can you be guiltier than anyone in the eyes of all? There are murderers and brigands. What crimes have you committed to blame yourself more than everyone else?” “My dear mother, my deepest love, know that everyone is guilty in everyone’s eyes. I do Read More …
John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a Read More …
John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a Read More …
Andrei Tarkovsky’s Stalker is a film set in two worlds, but one that takes place entirely on Earth. The first act of Stalker shows us an unnamed, dilapidated city shot in washed-out sepia tones so murky and muted it is difficult to imagine anything surviving there. In this city Read More …