The Mission confronts us with deeply spiritual questions: · What are we to make of the fact that the European missionaries often served as the vanguard of colonialism yet also became the staunchest defenders of the colonized against colonial plunder and oppression? · To what extent will or Read More …
Woody Allen got his start lampooning the deadly serious foreign films that were all the rage in the 1960s and 1970s. Then the former stand-up comic began to emulate (some might say imitate) those films as he turned out dramas like Interiors and September. Along the way, he Read More …
Peter Weir’s Witness was in the very first (unranked) Arts & Faith Top 100 list, but it failed to appear in the 2005, 2006, 2010, or 2011 lists. That first list was filled with commercial Hollywood fare, decisions that perhaps said more about the group’s Read More …
There is little, if any, historical accuracy in Amadeus. The portrayal of Mozart (Tom Hulce) as vulgar libertine is certainly based in much historical fact, but as seen through the eyes of Antonio Salieri (F. Murray Abraham), the film’s antihero protagonist and unreliable narrator, even the Read More …
Hirokazu Koreeda is a director seemingly preoccupied with death: his films Maborosi, Hana, and Still Walking all focus on characters dealing with the death of a loved one. After Life is also concerned with death, but Koreeda approaches his subject from a different angle in this film. Whereas his other films Read More …
Victoire Thivisol was four years old when she played Ponette, a girl struggling to understand her mother’s death in a car accident. The range and depth of emotion she displays makes me a little worried about what director Jacques Doillon did to coax the performance Read More …
In making this documentary, director Joshua Oppenheimer offered the leaders of the 1965 Indonesian death squads the opportunity to dramatize their memories of their war crimes in any cinematic style they wanted. The killers have proudly lived in power with the memories of their murders Read More …
John Michael McDonagh says that Calvary is the second in a trilogy starring Brendan Gleeson as an embodiment of contemporary Ireland, which is delightful for me, because the first two have each been my favorite films in their year of release. The earlier The Guard was a perfectly realized Read More …
In his 14th full-length film, I Am Not Your Negro, Haitian-born director Raoul Peck achieved perfection with a masterful blending of a screenplay by writer and activist James Baldwin, footage old and new, and an eclectic soundtrack that underscores his film’s ideas and contentions. As a cinematic essay, Read More …
In approximately a decade’s time, if not slightly longer, Nicholas Ray directed a corpus of artistically successful films comparable to William Wyler’s run of exceptional movies in the 1940s and 1950s, to Yasujiro Ozu’s mature work from 1949 to 1962, and to Jean-Luc Godard’s cinematic Read More …