Category: Ecumenical Jury

I too am dreaming about the light and shadows on the wall, the ones that dance as the leaves sway in the wind.  I am dreaming of them the way this film dreams of them.  Not stopping there, I am also dreaming about the God Read More …

Ethan Hawke crafts a meditative look at the drive inside of Flannery O’Connor to spotlight the broken beauty of her Southern culture in all of its glorious hypocrisy. Mystics like O’Connor feel a fever to share their vision with those who come after. Call it Read More …

Serving as a prequel to Mad Max: Fury Road, Furiosa is a sprawling tale of vengeance and hope that brings something both familiar and new to George Miller’s famous post-apocalyptic world. The film frequently serves as a story of pain and suffering, beginning with Furiosa’s kidnapping, and taking Read More …

“What do you think this is? What did you ever think this was gonna be?” Writer and director Jeff Nichols’ film follows the Vandals motorcycle club (based on the real life Outlaws motorcycle club) from their early days in the 1960s through their drastic evolution Read More …

Our personal faith is a beautiful thing — no matter where that may lie for each of us. It sings in the babbling brooks, dances in the rustling leaves, and, for Jen Starling who is played brilliantly by Eliza Scanlen, is intertwined with a deep, Read More …

In my twenties, I spent two summers in Asia and Europe, documenting the work of Christian missionaries abroad. My idealism soon gave way to bone-crunching realism. Most of the missionaries I filmed expressed a carefulness to their approach, talking at length about their ministry being Read More …

“I still don’t understand the play.” So muses Augie Steenbeck (Jason Schwartzman) multiple times through Wes Anderson’s story of a televised production of a fictitious play about death, grief, acting, “brainiac” children, alien invasion, military oversight, first romances, seasoned affairs, art, and storytelling itself. Prior Read More …

“How do you live?” is the fundamental question posed by Hayao Miyazaki’s The Boy and the Heron. It’s the question posed to Mahito Maki, the angry 12-year-old boy at the film’s centre. Having recently lost his mother in a fire in Tokyo during World War II, Read More …

I never thought I would identify with Barbie. As a little girl, I disavowed the doll and any potential ‘girly-girl’ association by telling people I owned Stacie’s 3-in-1 Bunk Bed and Barbie’s ‘So Much to Do!’ Kitchen set solely because I was a miniature enthusiast. Read More …

Celine Song’s directorial debut Past Lives has the kind of confidence that one would expectfrom a seasoned filmmaker deep into their career. The narrative is built around the concept of in-yun, which is essentially the belief that the relationships built amongst people are ultimately the Read More …