The year of Colin Farrell began with this gentle science-fiction film about a family dealing with the breakdown of its robot, a sort of artificial big brother (the titular Yang, played by Justin H. Min) who was acquired by the parents to give their adopted Read More …
It is safe to say that I never expected to have my soul ministered to by a tiny, one-eyed mollusk wearing orange sneakers, but the Lord works in mysterious ways. Marcel the Shell with Shoes On is a stop-motion animated mockumentary that depicts its namesake protagonist’s determined efforts to find his lost family Read More …
Everything, Everywhere, All at Once is one of those films that reminded me that life is messy, that the simplest of answers are sometimes discovered through unusual encounters, and that the multitude of distractions and noise of our existence can sometimes keep us from appreciating Read More …
“God saw everything that he had made, and indeed, it was very good.” (Genesis 1:31 NRSV) The joy of the natural world and creation rings through James Cameron’s sequel to Avatar, the biggest movie of all time. As a science-fiction epic, Avatar: The Way of Water takes a Read More …
Theological themes may not be a notable element in Edmond Rostand’s play Cyrano de Bergerac, or in most screen adaptations, but Joe Wright’s showy musical version, starring Peter Dinklage—adapted for the screen from her own stage play by Dinklage’s wife, Erica Schmidt, with songs by members Read More …
Women Talking is a deeply important film dramatizing almost unimaginable courage and humanity in the face of also almost unimaginable terrible misdeeds and pain. It names harm more profoundly by showing its aftermath, and it tells the truth about religious and cultural oppression. It does all this Read More …
It is tempting to parse the title as speaking of the time of armageddon. I think instead the film reflects on the nature of armageddon’s duration. The catastrophic time for the Jewish family in the film is in the past, but the past is always Read More …
Akira Kurosawa’s 1952 film Ikiru follows a man who receives a terminal diagnosis. Thisbureaucrat decides to stop “killing time” as he has done for so many years, and begins trulyliving a life of service and compassion with the small time he has remaining. A remake Read More …
It’s rare that I can recommend a Park Chan-Wook film, but Decision to Leave is a masterful exercise in suspense devoid of the director’s characteristic graphicness. As a detective story, Park’s latest film is a tribute to Vertigo, which inspired him to become a filmmaker. The same obsession Read More …
There was a glorious moment in The Banshees of Inisherin when Pádraic (Colin Farrel) tells Colm (Brendan Gleason) why he refuses to be shunned by his former friend despite the latter’s threats of self-mutilation. At that moment, I thought perhaps he was acting as an Read More …