There is little, if any, historical accuracy in Amadeus. The portrayal of Mozart (Tom Hulce) as vulgar libertine is certainly based in much historical fact, but as seen through the eyes of Antonio Salieri (F. Murray Abraham), the film’s antihero protagonist and unreliable narrator, even the Read More …
Hirokazu Koreeda is a director seemingly preoccupied with death: his films Maborosi, Hana, and Still Walking all focus on characters dealing with the death of a loved one. After Life is also concerned with death, but Koreeda approaches his subject from a different angle in this film. Whereas his other films Read More …
Victoire Thivisol was four years old when she played Ponette, a girl struggling to understand her mother’s death in a car accident. The range and depth of emotion she displays makes me a little worried about what director Jacques Doillon did to coax the performance Read More …
In making this documentary, director Joshua Oppenheimer offered the leaders of the 1965 Indonesian death squads the opportunity to dramatize their memories of their war crimes in any cinematic style they wanted. The killers have proudly lived in power with the memories of their murders Read More …
John Michael McDonagh says that Calvary is the second in a trilogy starring Brendan Gleeson as an embodiment of contemporary Ireland, which is delightful for me, because the first two have each been my favorite films in their year of release. The earlier The Guard was a perfectly realized Read More …
In his 14th full-length film, I Am Not Your Negro, Haitian-born director Raoul Peck achieved perfection with a masterful blending of a screenplay by writer and activist James Baldwin, footage old and new, and an eclectic soundtrack that underscores his film’s ideas and contentions. As a cinematic essay, Read More …
In approximately a decade’s time, if not slightly longer, Nicholas Ray directed a corpus of artistically successful films comparable to William Wyler’s run of exceptional movies in the 1940s and 1950s, to Yasujiro Ozu’s mature work from 1949 to 1962, and to Jean-Luc Godard’s cinematic Read More …
Appreciation coming. Directed by: Jean-Luc Godard Produced by: Alain Sarde Ruth Waldburger Written by: Jean-Luc Godard Music by: Cinematography by: Julien Hirsch Christophe Pollock Editing by: Raphaele Urtin Release Date: 2001 Running Time: 97 Language: French Arts & Faith Lists: 2010 Top 100 — #94 Read More …
This dark comedy from Joel & Ethan Coen is a distillation of some of the duo’s most potent themes. Larry Gopnik (Michael Stuhlbarg) is our Job figure, a physics professor in suburban Minneapolis who finds his life falling apart both personally and professionally. The principle Read More …
Grief is messy. It is also one of the most powerful emotions that we experience as humans. It can cut across racial, political, and religious lines, uniting us in a tragically common experience. Historically, the Arts & Faith Top 100 has tended to privilege films Read More …