The great and final act of Krzysztof Kieslowski’s remarkable career was the production of a trilogy called Three Colors—Blue, White, and Red—that represents the colors of the French flag, and the values they represent: liberty, equality and fraternity. Filmed in three countries (France, Poland, Switzerland), their plots Read More …
A stuttering student is hypnotized to cure his impediment. A strong wind blows across a field. A ceiling collapses in a rainshower. A bird lands on a boy’s head. A sleeping woman levitates over her bed. A man clutches some feathers in his hand, and Read More …
With a rigorous style that is often off-putting to newcomers, Bresson eschews the usual emotional cues we’ve become conditioned to expect at the movies. His editing is, above all, efficient—refusing to emphasize one moment over another. We’re forced to pay fierce attention and draw our Read More …
“What is the true meaning of life?” Polish director Krzysztof Kieslowski has asked. “Why get up in the morning? Politics doesn’t answer that.” The Decalogue, Kieslowski’s extraordinary, challenging collection of ten one-hour films made for Polish television in the dying days of the Soviet Union, doesn’t Read More …
To witness The Passion of Joan of Arc is to glimpse the soul of a saint in her hour of trial. The film is more than a dramatization, more than a biopic, more than a documentary: It is a spiritual portrait, almost a mystical portrait, of a Read More …
Myths and legends abound with humble blokes who endure the hero’s journey, overcoming the odds and coming out strong on the other side. They accomplish this due to their inherent goodness, honesty, and strength of character. The Green Knight takes place in a Camelot that Read More …
From the start of his feature debut, 2000’s shaggy-dog tale documentary, Mysterious Object at Noon, where the truck-mounted loudspeaker advertisement urges the public to use a particular brand of incense “whenever you want to worship the Buddha…”, the films of Apichatpong Weerasethakul (or Joe, to call Read More …
“I feel like it should mean nothing or everything,” Travis says of the Christianity that he sees professed by others and lived by Martin, “and I can’t get to either place.” This is Martin Bonner is the rare recent film where Christian characters talk like Read More …
Review coming. Directed by: Ming-liang Tsai Produced by: Laurence Picollec Chinlin Hsieh Bruno Pesery Written by: Ming-liang Tsai Pi-ying Yang Music by: Cinematography by: Benoît Delhomme Editing by: Sheng-Chang Chen Release Date: 2001 Running Time: 116 Language: Mandarin, French, Min Nan, English Arts & Faith Read More …
It is tempting but insufficient to parse Nazarin as a satire. Buñuel is capable of biting, even scathing satire when he looses his wrath and indignation towards the hyporcritical. He may even be capable of conveying scorn towards the sincere believers, such as Viridiana, who Read More …