In The Phantom Carriage, director Victor Sjöström plays David Holm, a heartless unrepentant rascal who receives two summons one New Year’s midnight. The first is from a dying nun who showed him the most undeserved act of mercy he ever received; the second is from the Read More …
The more particular you make your story, the more universal it becomes, or so they say. And Norman Jewison’s adaptation of Fiddler on the Roof (1971), one of the longest-running musicals in Broadway history, is certainly a case in point. On the surface, it is a story Read More …
In making this documentary, director Joshua Oppenheimer offered the leaders of the 1965 Indonesian death squads the opportunity to dramatize their memories of their war crimes in any cinematic style they wanted. The killers have proudly lived in power with the memories of their murders Read More …
John Michael McDonagh says that Calvary is the second in a trilogy starring Brendan Gleeson as an embodiment of contemporary Ireland, which is delightful for me, because the first two have each been my favorite films in their year of release. The earlier The Guard was a perfectly realized Read More …
In his 14th full-length film, I Am Not Your Negro, Haitian-born director Raoul Peck achieved perfection with a masterful blending of a screenplay by writer and activist James Baldwin, footage old and new, and an eclectic soundtrack that underscores his film’s ideas and contentions. As a cinematic essay, Read More …
This dark comedy from Joel & Ethan Coen is a distillation of some of the duo’s most potent themes. Larry Gopnik (Michael Stuhlbarg) is our Job figure, a physics professor in suburban Minneapolis who finds his life falling apart both personally and professionally. The principle Read More …
From the first Arts & Faith Top 100 list in 2004, voters have wrestled with and disputed the meaning of “Spiritually Significant.” When discussing what makes a film spiritually significant, seemingly the only constant has been that it means something other than craftsmanship or artistry. Sight & Read More …
On a Top 100 list that threatens top-heaviness with clergy, saints, and organized religion, Cave of Forgotten Dreams is a welcome outlier. Its writer/director, Werner Herzog, professes no interest in God or religion, except as a subject for cultural exploration, a manifestation of our humanity. Yet his films, Read More …
A Catholic pilgrimage underscored by a Lutheran chorale, a nun abandoning her duties to have an affair, a skeptic receiving a miraculous cure ahead of more devout pilgrims. A cliché I can’t stand says “God moves in mysterious ways,” and while it is possible to Read More …
Kon Ichikawa’s deeply humane, spiritually resonant masterpiece is routinely but reductionistically described as “pacifist” or “anti-war.” War, though, is the occasion for the central theme, not the theme itself, which is nothing less than the intractable mystery of suffering and evil, affirmation of spiritual values, Read More …