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Showing results for tags 'd. chloé zhao'.
I miss Joel Mayward's presence on the board, as one of the strongest Malick partisans and immense admirer of Zhao's previous film The Rider. I'm guessing he'd have plenty to say about Nomadland. Anywho, this is presently my favorite fiction feature of 2020, as I delighted in its love for its characters, its visual beauty, its humanism. When discussing David Byrne's American Utopia earlier this week, I expressed skepticism that much cinema succeeds in a persuasive function these days. Off the top of my head, I can think of two films in 2020 that changed my mind on a subject (Crazy Not I