Akira Kurosawa’s entire body of work—from 1943’s brash debut Sanshiro Sugata to 1993’s valedictory Madadayo—challenges viewers to awaken to their responsibility to use their talents unselfishly in a desperate world. 1965’s Red Beard is no exception. Set in feudal Japan, it opens with callow Doctor Yasumoto arriving at a clinic for the poor, presided over by the quietly intimidating Doctor Niide (nicknamed Red Beard and played by the legendary Toshiro Mifune). Initially chafing haughtily at his assignment, Yasumoto comes to embrace his role as caregiver to the needy, by Niide’s example and by witnessing dignity and tragedy among the indigent. Through masterful characterization, grand drama, and immersive chiaroscuro, Kurosawa prods us to follow the doctors’ examples. In a late climactic scene, Yasumoto, Niide, and other clinic helpers kneel in semi-circle around a gravely ill child; it’s as if Kurosawa is inviting us to rise from our seats and complete the circle. — Andrew Spitznas
Arts & Faith Lists:
2017 Arts & Faith Top 25 Films on Waking Up — #5