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Peter T Chattaway

Oscars 2012: Best Editing

  

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The American Cinema Editors have weighed in with the nominees for THEIR awards:

  • BEST EDITED FEATURE FILM (DRAMATIC):

  • The Descendants, Kevin Tent, A.C.E.
  • The Girl with the Dragon Tattoo, Kirk Baxter, A.C.E. & Angus Wall, A.C.E.
  • Hugo, Thelma Schoonmaker, A.C.E.
  • Moneyball, Christopher Tellefsen, A.C.E.
  • War Horse, Michael Kahn, A.C.E.

    BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):

  • The Artist, Anne-Sophie Bion & Michel Hazanavicius
  • Bridesmaids, William Kerr & Michael L. Sale
  • Midnight in Paris, Alisa Lepselter
  • My Week with Marilyn, Adam Recht
  • Young Adult, Dana E. Glauberman, A.C.E.

I have no idea how the ACE awards have compared to the Oscars over the years, but one thing I do know is this: it has been over 30 years since a movie won the Oscar for Best Picture without at least being NOMINATED for the Oscar for Best Editing.

Edited by Peter T Chattaway

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The American Cinema Editors have weighed in with the nominees for THEIR awards:

And the winners are (in bold):

  • BEST EDITED FEATURE FILM (DRAMATIC):

  • The Descendants, Kevin Tent, A.C.E.
  • The Girl with the Dragon Tattoo, Kirk Baxter, A.C.E. & Angus Wall, A.C.E.
  • Hugo, Thelma Schoonmaker, A.C.E.
  • Moneyball, Christopher Tellefsen, A.C.E.
  • War Horse, Michael Kahn, A.C.E.

    BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):

  • The Artist, Anne-Sophie Bion & Michel Hazanavicius
  • Bridesmaids, William Kerr & Michael L. Sale
  • Midnight in Paris, Alisa Lepselter
  • My Week with Marilyn, Adam Recht
  • Young Adult, Dana E. Glauberman, A.C.E.

Edited by Peter T Chattaway

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