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Overstreet

Flashback Films: Movies Designed to Shift Between Past/Present

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A friend of mine is working on a script that shifts back and forth regularly between past and present, young characters and then the adult versions of those characters. He's asked me to recommend some good films that do the same kind of thing effectively so that he can study some examples.

 

Iris sprang to mind immediately. Then, Mrs. Dalloway.

 

What films spring to your mind?


P.S.  I COULD BE WRONG.

 

Takin' 'er easy for all you sinners at lookingcloser.org. Also abiding at Facebook and Twitter.

 

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Eternal Sunshine of the Spotless Mind

Primer

The Diving Bell and the Butterfly

The Place Beyond the Pines (doesn't go back and forth between time periods, though)

The Fisher King

The Fountain

Hara-Kiri

Hero

The United States of Leland

Edited by Tyler

It's the side effects that save us.
--The National, "Graceless"
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Jeffrey, the first thing that came to mind is a book I read this year: Meg Wolitzer's The Interestings. I'm not sure your friend wants nonfilm recommendations; maybe reading a book with shifting timelines might help?


"What matters are movies, not awards; experiences, not celebrations; the subjective power of individual critical points of view, not the declamatory compromises of consensus." - Richard Brody, "Godard's Surprise Win Is a Victory for Independent Cinema," The New Yorker

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I just returned from Saving Mr. Banks, and I thought the shifting between Travers' childhood and the present was one of the film's strongest aspects.


"Anyway, in general I love tragic artists, especially classical ones."

"Even the forms for expressing truth can be multiform, and this is indeed necessary for the transmission of the Gospel in its timeless meaning."

- Pope Francis, August 2013 interview with Antonio Spadaro

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The Debt

Charlie and the Chocolate Factory


"Anyway, in general I love tragic artists, especially classical ones."

"Even the forms for expressing truth can be multiform, and this is indeed necessary for the transmission of the Gospel in its timeless meaning."

- Pope Francis, August 2013 interview with Antonio Spadaro

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Charlie and the Chocolate Factory

I thought Overstreet's original post asked for good films.

I knew someone was going to say that.

 

If you define good film as 4-5 star, borderline masterpiece, then no Charlie and the Chocolate Factory does not qualify.  But if a solid 3.5 stars, B, or 7 out of 10 means a good film, then I have no problem at all suggesting Charlie and the Chocolate Factory.  And I would gladly rewatch it 20 times rather than sit through this boring, pretentious, absurd thing once more:

 

Life of Pi

 

But you expected that, didn't you?

Edited by Evan C

"Anyway, in general I love tragic artists, especially classical ones."

"Even the forms for expressing truth can be multiform, and this is indeed necessary for the transmission of the Gospel in its timeless meaning."

- Pope Francis, August 2013 interview with Antonio Spadaro

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If you define good film as 4-5 star, borderline masterpiece, then no Charlie and the Chocolate Factory does not qualify.  But if a solid 3.5 stars, B, or 7 out of 10 means a good film, then I have no problem at all suggesting Charlie and the Chocolate Factory.  And I would gladly rewatch it 20 times rather than sit through this boring, pretentious, absurd thing once more:

 

tumblr_lqsxsvFED11r2183po1_500.gif

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offtopic.gif

 

Toy Story has nothing whatsoever to do with the films Overstreet is looking for.

 

 

Since we apparently have to suggest great movies:
 
Wild Strawberries and Annie Hall both have substantial narrative jumps backwards and forwards (the second is not great, but it's very, very good)

 

And Amadeus.

Edited by Evan C

"Anyway, in general I love tragic artists, especially classical ones."

"Even the forms for expressing truth can be multiform, and this is indeed necessary for the transmission of the Gospel in its timeless meaning."

- Pope Francis, August 2013 interview with Antonio Spadaro

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IT


Formerly Baal_T'shuvah

"Everyone has the right to make an ass out of themselves. You just can't let the world judge you too much." - Maude 
Harold and Maude
 

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