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Oscars 2017: Best Foreign Language Film


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The 85 eligible films (the ones I've seen are in bold):

  • Albania, “Chromium,” Bujar Alimani, director;
  • Algeria, “The Well,” Lotfi Bouchouchi, director;
  • Argentina, “The Distinguished Citizen,” Mariano Cohn, Gastón Duprat, directors;
  • Australia, “Tanna,” Bentley Dean, Martin Butler, directors;
  • Austria, “Stefan Zweig: Farewell to Europe,” Maria Schrader, director;
  • Bangladesh, “The Unnamed,” Tauquir Ahmed, director;
  • Belgium, “The Ardennes,” Robin Pront, director;
  • Bolivia, “Sealed Cargo,” Julia Vargas Weise, director;
  • Bosnia and Herzegovina, “Death in Sarajevo,” Danis Tanovic, director;
  • Brazil, “Little Secret,” David Schurmann, director;
  • Bulgaria, “Losers,” Ivaylo Hristov, director;
  • Cambodia, “Before the Fall,” Ian White, director;
  • Canada, “It’s Only the End of the World,” Xavier Dolan, director;
  • Chile, “Neruda,” Pablo Larraín, director;
  • China, “Xuan Zang,” Huo Jianqi, director;
  • Colombia, “Alias Maria,” José Luis Rugeles, director;
  • Costa Rica, “About Us,” Hernán Jiménez, director;
  • Croatia, “On the Other Side,” Zrinko Ogresta, director;
  • Cuba, “The Companion,” Pavel Giroud, director;
  • Czech Republic, “Lost in Munich,” Petr Zelenka, director;
  • Denmark, “Land of Mine,” Martin Zandvliet, director;
  • Dominican Republic, “Sugar Fields,” Fernando Báez, director;
  • Ecuador, “Such Is Life in the Tropics,” Sebastián Cordero, director;
  • Egypt, “Clash,” Mohamed Diab, director;
  • Estonia, “Mother,” Kadri Kõusaar, director;
  • Finland, “The Happiest Day in the Life of Olli Mäki,” Juho Kuosmanen, director;
  • France, “Elle,” Paul Verhoeven, director;
  • Georgia, “House of Others,” Rusudan Glurjidze, director;
  • Germany, “Toni Erdmann,” Maren Ade, director;
  • Greece, “Chevalier,” Athina Rachel Tsangari, director;
  • Hong Kong, “Port of Call,” Philip Yung, director;
  • Hungary, “Kills on Wheels,” Attila Till, director;
  • Iceland, “Sparrows,” Rúnar Rúnarsson, director;
  • India, “Interrogation,” Vetri Maaran, director;
  • Indonesia, “Letters from Prague,” Angga Dwimas Sasongko, director;
  • Iran, “The Salesman,” Asghar Farhadi, director;
  • Iraq, “El Clásico,” Halkawt Mustafa, director;
  • Israel, “Sand Storm,” Elite Zexer, director;
  • Italy, “Fire at Sea,” Gianfranco Rosi, director;
  • Japan, “Nagasaki: Memories of My Son,” Yoji Yamada, director;
  • Jordan, “3000 Nights,” Mai Masri, director;
  • Kazakhstan, “Amanat,” Satybaldy Narymbetov, director;
  • Kosovo, “Home Sweet Home,” Faton Bajraktari, director;
  • Kyrgyzstan, “A Father’s Will,” Bakyt Mukul, Dastan Zhapar Uulu, directors;
  • Latvia, “Dawn,” Laila Pakalnina, director;
  • Lebanon, “Very Big Shot,” Mir-Jean Bou Chaaya, director;
  • Lithuania, “Seneca’s Day,” Kristijonas Vildziunas, director;
  • Luxembourg, “Voices from Chernobyl,” Pol Cruchten, director;
  • Macedonia, “The Liberation of Skopje,” Rade Šerbedžija, Danilo Šerbedžija, directors;
  • Malaysia, “Beautiful Pain,” Tunku Mona Riza, director;
  • Mexico, “Desierto,” Jonás Cuarón, director;
  • Montenegro, “The Black Pin,” Ivan Marinović, director;
  • Morocco, “A Mile in My Shoes,” Said Khallaf, director;
  • Nepal, “The Black Hen,” Min Bahadur Bham, director;
  • Netherlands, “Tonio,” Paula van der Oest, director;
  • New Zealand, “A Flickering Truth,” Pietra Brettkelly, director;
  • Norway, “The King’s Choice,” Erik Poppe, director;
  • Pakistan, “Mah-e-Mir,” Anjum Shahzad, director;
  • Palestine, “The Idol,” Hany Abu-Assad, director;
  • Panama, “Salsipuedes,” Ricardo Aguilar Navarro, Manolito Rodríguez, directors;
  • Peru, “Videophilia (and Other Viral Syndromes),” Juan Daniel F. Molero, director;
  • Philippines, “Ma’ Rosa,” Brillante Ma Mendoza, director;
  • Poland, “Afterimage,” Andrzej Wajda, director;
  • Portugal, “Letters from War,” Ivo M. Ferreira, director;
  • Romania, “Sieranevada,” Cristi Puiu, director;
  • Russia, “Paradise,” Andrei Konchalovsky, director;
  • Saudi Arabia, “Barakah Meets Barakah,” Mahmoud Sabbagh, director;
  • Serbia, “Train Driver’s Diary,” Milos Radovic, director;
  • Singapore, “Apprentice,” Boo Junfeng, director;
  • Slovakia, “Eva Nová,” Marko Skop, director;
  • Slovenia, “Houston, We Have a Problem!” Žiga Virc, director;
  • South Africa, “Call Me Thief,” Daryne Joshua, director;
  • South Korea, “The Age of Shadows,” Kim Jee-woon, director;
  • Spain, “Julieta,” Pedro Almodóvar, director;
  • Sweden, “A Man Called Ove,” Hannes Holm, director;
  • Switzerland, “My Life as a Zucchini,” Claude Barras, director;
  • Taiwan, “Hang in There, Kids!” Laha Mebow, director;
  • Thailand, “Karma,” Kanittha Kwunyoo, director;
  • Turkey, “Cold of Kalandar,” Mustafa Kara, director;
  • Ukraine, “Ukrainian Sheriffs,” Roman Bondarchuk, director;
  • United Kingdom, “Under the Shadow,” Babak Anvari, director;
  • Uruguay, “Breadcrumbs,” Manane Rodríguez, director;
  • Venezuela, “From Afar,” Lorenzo Vigas, director;
  • Vietnam, “Yellow Flowers on the Green Grass,” Victor Vu, director;
  • Yemen, “I Am Nojoom, Age 10 and Divorced,” Khadija Al-Salami, director.

A few of these just played at VIFF, but I missed them for scheduling reasons and/or because I knew they'd be back relatively soon.

"Sympathy must precede belligerence. First I must understand the other, as it were, from the inside; then I can critique it from the outside. So many people skip right to the latter." -- Steven D. Greydanus
Now blogging at Patheos.com. I can also still be found at Facebook, Twitter and Flickr. See also my film journal.

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  • 2 months later...

The nine-movie shortlist:

  • Australia, “Tanna,” Bentley Dean, Martin Butler, directors;
  • Canada, “It’s Only the End of the World,” Xavier Dolan, director;
  • Denmark, “Land of Mine,” Martin Zandvliet, director;
  • Germany, “Toni Erdmann,” Maren Ade, director;
  • Iran, “The Salesman,” Asghar Farhadi, director;
  • Norway, “The King’s Choice,” Erik Poppe, director;
  • Russia, “Paradise,” Andrei Konchalovsky, director;
  • Sweden, “A Man Called Ove,” Hannes Holm, director;
  • Switzerland, “My Life as a Zucchini,” Claude Barras, director.

Believe it or not, I've only seen one of those movies, and it isn't the Canadian one.

"Sympathy must precede belligerence. First I must understand the other, as it were, from the inside; then I can critique it from the outside. So many people skip right to the latter." -- Steven D. Greydanus
Now blogging at Patheos.com. I can also still be found at Facebook, Twitter and Flickr. See also my film journal.

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Yes, and no Elle, which has been sort of a critics' darling ever since Cannes!

"Sympathy must precede belligerence. First I must understand the other, as it were, from the inside; then I can critique it from the outside. So many people skip right to the latter." -- Steven D. Greydanus
Now blogging at Patheos.com. I can also still be found at Facebook, Twitter and Flickr. See also my film journal.

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I've only seen Toni Erdmann, which was excellent.  With all the buzz surrounding it, I'll be surprised if it doesn't win.

Three foreign language films I have seen this year that I esteemed more highly:  Things to Come, Death of Louis XIV, My Golden Days.  I'd love to see Erik Poppe's latest, since his last 3 films have been stellar, but no North American release date, alas.

To be an artist is never to avert one's eyes.
- Akira Kurosawa

https://www.patheos.com/blogs/secularcinephile/

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  • 1 month later...

The nominees for the Oscar are (with the ones I've seen in bold):

  • A Man Called Ove (Sweden)
  • Land of Mine (Denmark)
  • Tanna (Australia)
  • The Salesman (Iran)
  • Toni Erdmann (Germany)
Edited by Peter T Chattaway

"Sympathy must precede belligerence. First I must understand the other, as it were, from the inside; then I can critique it from the outside. So many people skip right to the latter." -- Steven D. Greydanus
Now blogging at Patheos.com. I can also still be found at Facebook, Twitter and Flickr. See also my film journal.

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The Motion Picture Sound Editors have nominated (with the ones I've seen in bold):

  • Elle
  • Neruda
  • The Handmaiden
  • The King's Choice
  • Toni Erdmann
  • Under the Shadow

So, only one Oscar nominee, i.e. Toni Erdmann.

The winner will be announced February 19.

"Sympathy must precede belligerence. First I must understand the other, as it were, from the inside; then I can critique it from the outside. So many people skip right to the latter." -- Steven D. Greydanus
Now blogging at Patheos.com. I can also still be found at Facebook, Twitter and Flickr. See also my film journal.

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