Quote
A Separation
#1
Posted 05 September 2011 - 04:39 PM
#2
Posted 05 September 2011 - 07:42 PM
"A Separation (7.4) - Almost never not riveting; teased being *another* visa drama only to transition into fierce, white-knuckling procedural"
#3
Posted 06 September 2011 - 07:49 PM
#4
Posted 13 September 2011 - 12:02 AM
Quote
#5
Posted 07 October 2011 - 12:29 AM
#6
Posted 10 November 2011 - 06:35 PM
I'm tempted to buy it without having seen it.
#7
Posted 11 November 2011 - 11:44 AM
Overstreet, on 10 November 2011 - 06:35 PM, said:
I'm tempted to buy it without having seen it.
#8
Posted 11 November 2011 - 12:31 PM
#9
Posted 11 November 2011 - 12:43 PM
: I've seen it. Give in to the temptation.
It`s a great film, to be sure, but I wonder how often one would want to watch it. Depends on the one, I guess.
#10
Posted 27 December 2011 - 01:25 PM
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While Farhadi is certainly no Majid Majidi, neither is he a dissident on the order of Panahi, Rasoulof, or the now-in-exile Makhmalbaf family. This is not to say that it is incumbent upon Farhadi to make films like a dissident. However, we have to consider this “problem” if we’re going to at least partly answer the lingering skepticism surrounding A Separation.
#11
Posted 09 February 2012 - 12:19 PM
David Thomson has:
In a complete world of film-going, we should no longer tolerate the label “foreign film,” especially since it seems likely that a film from France in which the French language remains tactfully silent is going to stroll away with Best Picture. The Artist is a pleasant soufflé, over which older Academy voters can wax nostalgic. But A Separation is what the cinema was invented for.
EDIT: More from Thomson's review:
With the best will in the world, George Clooney cannot discard his aura of stardom, yet the actors in the Iranian film seem caught in their characters’ traps. That point about affluence is worth dwelling on. In 2011, not many American films dealt with money and its shortage in lifelike ways. It hurts The Descendants, I think, that its people are so well-heeled. Yet the common experience of the nation is the desperate effort to stretch money. A Separation is full of that and it works on the assumption that the means of life are vital to the way it is lived. It is a great film, the best from last year, and a model of how films can be made.
As an aside, "The common experience of the nation is the desperate effort to stretch money" is why I loved, rather than merely liked, Win Win, whose main character "stretches" money by basically stealing it, then is forced to come clean. It's probably "small ball" morally alongside what happens in A Separation, but the "desperate effort" part of it really spoke to me.
Sorry for the digression.
Edited by Christian, 09 February 2012 - 12:24 PM.
#12
Posted 14 February 2012 - 03:51 PM
As much as I enjoyed it, though, I don't want to say much about it (or write about it) until I've seen it again, the reason being that I had to work so hard to keep up with the story that I didn't have time to appreciate it. A fast-paced narrative has its joys, but I don't like it when the story feels too much like a blur.
#13
Posted 17 February 2012 - 01:16 PM
andrew_b_welch, on 14 February 2012 - 03:51 PM, said:
I broke my own promise and wrote a little something for my blog: http://adventures-in...ion-review.html
#14
Posted 17 February 2012 - 02:13 PM
Christian, on 09 February 2012 - 12:19 PM, said:
David Thomson has:
In a complete world of film-going, we should no longer tolerate the label “foreign film,” especially since it seems likely that a film from France in which the French language remains tactfully silent is going to stroll away with Best Picture. The Artist is a pleasant soufflé, over which older Academy voters can wax nostalgic. But A Separation is what the cinema was invented for.
EDIT: More from Thomson's review:
With the best will in the world, George Clooney cannot discard his aura of stardom, yet the actors in the Iranian film seem caught in their characters’ traps. That point about affluence is worth dwelling on. In 2011, not many American films dealt with money and its shortage in lifelike ways. It hurts The Descendants, I think, that its people are so well-heeled. Yet the common experience of the nation is the desperate effort to stretch money. A Separation is full of that and it works on the assumption that the means of life are vital to the way it is lived. It is a great film, the best from last year, and a model of how films can be made.
As an aside, "The common experience of the nation is the desperate effort to stretch money" is why I loved, rather than merely liked, Win Win, whose main character "stretches" money by basically stealing it, then is forced to come clean. It's probably "small ball" morally alongside what happens in A Separation, but the "desperate effort" part of it really spoke to me.
Sorry for the digression.
Christian, for what it's worth, Farhadi, told the audience I was in at Toronto that the film was "as much about class warfare" as it was about familial conflicts or religious differences.
I had asked him to convert the settlement amount to Euros or Dollars and/or discuss how much it was in comparison to gross family income and he (and the Iranians in the audience) just kind of laughed--like the Western/literal nature of the question didn't quite capture the essence of the gulf between the have lesses and and the have nothings. I haven't rechecked my notes but I thought he said like ten thousand euros but the more important point was that it was more money than they would have any reasonable hope of making over their entire lives.
Actually I think the comparison to Win-Win is apt in that what is significant is not the exact dollar amount but what it signifies to either party (survival/necessity vs. higher standard of life) and how necessity (or the belief that it is necessity) can be used to justify (to yourself) doing something you know is wrong.
Edited by kenmorefield, 17 February 2012 - 02:16 PM.
#16
Posted 02 March 2012 - 08:16 AM
#17
Posted 02 March 2012 - 11:02 PM
Edited by Crow, 02 March 2012 - 11:05 PM.
#18
Posted 04 March 2012 - 07:27 PM
1) And that, ladies and gentlemen, is why it's God's grace... or forget about it.
2) If there's any movie character whose job I wouldn't want to have, well... the judge in this film nears the top of the list.
3) This film leaves me feeling the same way Margaret did. Everybody's screwed up beyond hope... unless... (See Point 1.)
4) Well, shoot... what do I do with my 2011 Top Five now?!
5)
Edited by Overstreet, 04 March 2012 - 07:29 PM.
#19
Posted 04 March 2012 - 07:58 PM
#20
Posted 04 March 2012 - 08:04 PM
That's... that's kind of amazing.










