Pauline Kael's Library
Posted 07 September 2005 - 04:13 PM
There’s some great stuff in it—several things you’d expect to find, but also, as the Globe notes, “some ringers.”
I considered pasting in any one of several paragraphs of the not-long story, but in the end decided on the following, which, as a fan of Sarris, nevertheless made me smile:
Kael and Sarris were famous critical antagonists. Her first edition of his ''The American Cinema" has just two markings in it, ''nonsense" (next to Sarris's assertion that the western resists parody and satire) and an extremely large exclamation mark next to Sarris's stating that his directorial chronology ''represents a weighted critical valuation."
I was also intrigued by this:
In Robert Warshow's ''The Immediate Experience," Kael underlined his stating as a reason for going to the movies ''because I took all that nonsense seriously." In the margin, she added a furiously squiggled, ''huh?"
I’ve tried twice to read The Immediate Experience, but I’ve yet to succeed.
Posted 07 September 2005 - 06:44 PM
Posted 08 September 2005 - 12:17 PM
Posted 29 August 2010 - 09:02 PM
I discovered a $1 copy of Afterglow:A Last Conversation With Pauline Kael on the book cart at the library a couple of weeks ago at the library. For those of you not familiar with it, it's a record of a long conversation she had a couple of years before her death with Francis Davis (jazz critic as well as Mr. Terry Gross). A very enjoyable (and quick) read, even those not seriously interested in film would enjoy it.
Posted 09 September 2011 - 03:08 PM
"A decade after her death, Pauline Kael remains the most important figure in film criticism today, in part due to her own inimitable style and power within the film community and in part due to the enormous influence she has exerted over an entire subsequent generation of film critics. During her tenure at the New Yorker from 1967 to 1991 she was a tastemaker, a career maker, and a career breaker. Her brash, vernacular writing style often made for an odd fit at the stately New Yorker.
Brian Kellow gives us a richly detailed look at one of the most astonishing bursts of creativity in film history and a rounded portrait of this remarkable (and often relentlessly driven) woman. Pauline Kael is a book that will be welcomed by the same audience that made Mark Harris's Pictures at a Revolution and Peter Biskind's Easy Riders, Raging Bulls bestsellers, and by anyone who is curious about the power of criticism in the arts."
Posted 23 March 2012 - 09:53 PM
Kellow's book is filling in Kael's background and development as a writer and stylist. The information has, I'm sure, always been out there to be found, but I needed it ordered and packaged in the way Kellow's biography does.
Here's hoping the second half is as good as the first.
Posted 30 March 2012 - 04:15 PM
Edited by Christian, 30 March 2012 - 04:15 PM.